{"title":"ALBUMS OF THE YEAR SO FAR 2026","description":null,"products":[{"product_id":"the-heads-yourprettyplaceisgoingtohell-2lp-cd","title":"The Heads - yourprettyplaceisgoingtohell - 2LP\/CD","description":"\u003cp class=\"x_MsoNormal\"\u003e\u003cstrong\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eLAST REMAINING COPIES OF \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eINDIE-ONLY RECYCLED COLOUR VINYL!!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eAt last, a brand new album from the legendary Heads, \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eyourprettyplaceisgoingtohell\u003c\/em\u003e is their first new material for 20 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eIt will be released almost 30 years on from their seminal debut “Relaxing With”, this will be their fifth studio album proper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eThe band are a well established though reclusive part of the UKs underground \/cult psychedelic rock scene. A constant four piece, they also perform\/record in their own projects; Paul Allen\/Anthroprophh, Simon Price\/Kandodo and Wayne Maskell and Hugo Morgan are both now in Loop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eThe album was recorded over three days whilst the Heads were rehearsing for a couple of live dates with their friends, and peers, Mudhoney. The guitars, drums and bass were laid down live in Bristol, over-dubs added and then mixed\/produced by John McBain in Portland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eInitially planned as two single albums, (Volumes 1+2) it soon made sense that they should be put together as a double LP.  \u003c\/span\u003e\u003cspan\u003eNamed in a nod to the Stooges' Raw Power classic 'Your Pretty Face Is Going To Hell', it describes the trajectory we're all on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eThe Heads are renowned for their brutalist take on psychedelic rock, this new album shows how much they have absorbed from their years of existence, their peers and the world around them. Not much change though, they haven't mellowed out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eThe pummel is there, the spaced out sike zones are there, there’s wigged out guitar solos that will peel the paint off the walls, there’s even pop songs if you look\/listen hard enough. John McBain has done a grand job in fine tuning the noise and sonic assault. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eIt's hard to draw a direct “for fans of “ list, because ultimately this album is for fans of the Heads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eHowever, you can trace the DNA of this album back to the Stooges, Hawkwind, 13th Floor Elevators, Can, Mudhoney, Monster Magnet, Loop, Spacemen 3, MC5 etc. all squeezed through the Head's heavy sonic blender.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eA band that only ever existed on the fringes, \"if you're not on the edge, you're taking up too much space''.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eLife and jobs got in the way a bit but hey, at least that kept it pure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e'One chord, three pedals, six years' was an old mantra of theirs. They've pushed that to 'three chords, double album, 20 years'. \u003c\/span\u003e\u003cspan\u003eDon't expect another. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003ePre-apocalypse blues of rhythmic fuzz and acid rock. \u003c\/span\u003e\u003cspan\u003eThis album will be the soundtrack to navigate 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/k1nQoh1odrU?si=_q6Fp95sljH0h-wH\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eHits Like a Dove\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eCardinal Fuzz\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eCan't Stop the Rushing\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eIt's about time...and Space\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eOn\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eSnake Oil\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eSunquaker\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eSocially Awkward\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eEntropic Dissolution\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eBullets Fly But No Bees\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eIt's All Over Now Sunshine\u003c\/li\u003e\n\u003cli data-olk-copy-source=\"MessageBody\" class=\"x_MsoNormal\"\u003eOff\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"x_MsoNormal\"\u003e \u003c\/p\u003e","brand":"The Heads","offers":[{"title":"RECYCLED COLOUR VINYL","offer_id":52521553035580,"sku":"ROOSTER30X","price":31.99,"currency_code":"GBP","in_stock":true},{"title":"BLACK VINYL","offer_id":52934479315260,"sku":"ROOSTER30","price":31.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52521553068348,"sku":"ROOSTER30CD","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/the-heads-yourprettyplaceisgoingtohellSleeve.jpg?v=1764678605"},{"product_id":"winged-wheel-desert-so-green-lp","title":"Winged Wheel - Desert So Green - LP","description":"\u003cp\u003e\u003cspan\u003e“So, how did this band even happen?” That’s the question most often asked of Winged Wheel, a creatively and geographically scattered collective who have somehow congregated to make a noise that’s unexpected but undeniable. The band includes Whitney Johnson (Matchess, Circuit des Yeux), Cory Plump (Spray Paint, co-owner of the dream venue Tubby’s), Matthew J. Rolin (solo guitar wizard and half of the Powers\/Rolin Duo), Steve Shelley (Sonic Youth), Lonnie Slack, and Fred Thomas (Idle Ray, Tyvek), each player living in a different city and bringing their own unique element to the group’s chain reactions. Early long distance file-trading between a few members yielded 2022’s No Island, a debut album that was accidentally really good. Good enough for the band to expand their membership and meet in person for the sessions that became 2024’s Big Hotel, a surgically-assembled murk of high energy kosmische rock with jammed-out tendencies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFast forward just a little and all of a sudden the band that started out as a passing idea has completed multiple tours, become a taper’s dream with sets that drift through structure and improvisation, and ridden the momentum to places unforeseen on their third album, Desert So Green. After a run of shows across the Midwest in the spring of 2025, the group settled into a studio on the outskirts of Chicago to track their next record. Though the full lineup had only been solidified for a little over a year at this point, time together on stage led to a quickly-expanding sound and a unified vision of always going somewhere new. To this end, Winged Wheel abandoned the play-now-sort-it-out-later approach of Big Hotel and instead spent hours refining flashes of inspiration into coherent songs. Full-blast, krautrock-informed jamming took a backseat to deeper experimentation, and the band found new dimensions, different atmospheres. The arrangements are still dense with layers of synths, noisy disruptions, and glowing orbs of alien sound, but every shift is considered and intentional. It’s an album that spends its duration struggling to balance a scale with excitement on one side and anxious tension on the other. Things move a little slower and the aftershock hits harder than the initial adrenaline rush. While Desert So Green is defined by a newfound restraint, there’s also an intensity that never lets up. Desert So Green represents yet another transformation for Winged Wheel, one that takes them into a space of sharpened dynamism and more nuanced expression. The energy that arrived all at once in loud explosions on earlier albums is refracted here, and all the more powerful when broken down. It’s a set of strange songs that demand close inspection and reward this attention with a clearer view of the band’s individual personalities, and the separate alchemical presence that emerges when these personalities come together. Desert So Green changes gears, defies probability, confounds in strains of joy and confusion, and leaves us wondering, once again and still without answers, how did this band even happen?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/t8jkJZu9cwk?si=btzplIKvnGqbYMe2\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist: \u003c\/span\u003e\u003cspan\u003e1. Canvas 11 2. Canvas 2 3. Speed Table 4. More Frog Poems 5. Beautiful Holy Jewel Home 6. Canvas 8 7. Bird Spells 8. I See Poseurs Every Day 9. The Suite Goes Quiet\u003c\/span\u003e\u003c\/p\u003e","brand":"Winged Wheel","offers":[{"title":"Default Title","offer_id":52659871711548,"sku":"12XU172-1","price":28.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/winged-wheel-desert-so-green.jpg?v=1769008955"},{"product_id":"earth-tongue-dungeon-vision-lp-cd","title":"Earth Tongue - Dungeon Vision - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eAVAILABLE ON SILVER VINYL \u0026amp; CD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUshering in a new era, Berlin based, New Zealand heavy psych duo Earth Tongue lower the castle gates on their third album Dungeon Vision, a trove of fuzz-drenched anthems produced by garage rock luminary Ty Segall in Los Angeles. Guitarist Gussie Larkin and drummer Ezra Simons spent the Berlin winter of 2025 refining the album’s twelve tracks in their self-described “windowless cave” rehearsal space, crafting a record that channels both isolation and the duo’s live intensity. With the songs finally taking shape and a studio deadline looming, they flew to Los Angeles to turn their hard-won ideas into the real thing. Once there, the band and Ty captured lightning in a bottle, recording and mixing Dungeon Vision in just ten days at Altamira Sound. Tracked live to tape, Dungeon Vision pulses with human energy, fuzz guitars, bone-battering drums, and hauntingly tuneful vocals. Ty Segall’s influence is all over the record with Ty choosing the best takes based on feel rather than technical perfection. The “king of fuzzy guitar tones” pushed the duo to find new sonic textures while championing their raw chemistry. “Ty’s been a big driving force,” says Ezra. “We supported him in New Zealand back in 2023, and he’s backed us ever since even bringing us on tour through Europe and the UK in 2024.” Since their emergence in 2016, Earth Tongue’s world-building, visuals, and relentless touring have earned them global attention and a cult-like following. Their 2024 album Great Haunting, also released on In The Red Records, received a Taite Music Prize nomination and saw them win Best Group at the 2025 Aotearoa Music Awards. They’ve toured extensively, sharing stages with the likes of Queens of the Stone Age, IDLES, Acid King, Brant Bjork and Kikagaku Moyo. With Dungeon Vision, Earth Tongue deliver their most immersive work yet, a richly human, fuzz-soaked journey that bottles the magic of their live show and cements their reputation as one of the most exciting psych rock acts on the planet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jGVcw-fQeik?si=Vj-BY88Iu3XJOHoq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDungeon Vision\u003cbr\u003eDemon Cam\u003cbr\u003eFlashlight\u003cbr\u003eBody of Water\u003cbr\u003eWatchtower\u003cbr\u003eOrbit of a Witch\u003cbr\u003eSymmetry Dripper\u003cbr\u003e1000 Curses\u003cbr\u003eSilver Eye\u003cbr\u003eLiving Hell\u003cbr\u003eHarvester\u003cbr\u003eRitual\u003c\/span\u003e\u003c\/p\u003e","brand":"Earth Tongue","offers":[{"title":"SILVER VINYL","offer_id":52659969786172,"sku":"ITR411SV","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52659969818940,"sku":"ITR411CD","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/earth-tongue-dungeon-vision.jpg?v=1769013183"},{"product_id":"redd-kross-hard-ons-tour-split-lp","title":"Redd Kross \/ Hard Ons - Tour Split - LP","description":"\u003cp\u003e\u003cstrong\u003eLIMITED UK ONLY CLEAR VINYL EDITION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTwo titans of power-pop and punk rock reunite this March. LA cult legends REDD KROSS, celebrating 45 years of dayglo hooks, sly wit and sky-high choruses, join forces once again with Aussie icons THE HARD-ONS, fronted by the incomparable Tim Rogers, for a long-awaited tour across Australia. With new music in tow and a shared history of high-volume brilliance, the two pioneer bands are set to light up stages from Queensland to Victoria. Expect high-voltage singalongs, fuzz-drenched anthems, and a masterclass in melodic brilliance from two of rock’s most enduring and prolific forces. REDD KROSS \u0026amp; THE HARD-ONS. From LA and Sydney respectively. Separated by an ocean, but with ties that go back to when they were label mates on the US Big Time label in 1987 and maybe even further. Beyond that the connections are plentiful; both started playing out on their respective punk scenes when they were very young - Redd Kross as pre-teens and mid-teens in '79-80, The Hard-Ons as mid-to-late teenagers in '82-83 - and both ruffled plenty of feathers when they did. Both bands transgressed the accepted boundaries of punk, and both pushed audience excitement buttons with high energy, great tunes, an outrageous visual element and a willingness to not only include '60s pop influences into their punk sounds, but also flashy and trashy '70s hard rock. Indeed, two bands were arguably the first two to understand the musical thread that joined Kiss and the Ramones, and in doing so they together helped make the world a brighter place. Current Hard-Ons singer Tim Rogers goes back decades with Redd Kross too - a young You Am I were on the bill when Redd Kross toured Australia with the Hoodoo Gurus back in 1994. REDD KROSS \u0026amp; THE HARD-ONS have also recently both celebrated anniversaries and received the kind of kudos that only occasionally comes with their levels of dedication and perseverance. Redd Kross last year marked their 45th anniversary with their most acclaimed album to date (a self-titled double LP on In The Red Records), as well as a revelatory movie documentary and book. The Hard-Ons celebrated their 40 years with a film of their own - a sequel to that is doing the rounds now - and continued their run of Top 40 records (which began in 2021 with their first album with Tim Rogers and their first for Cheersquad Records \u0026amp; Tapes, the #4 album I'm Sorry Sir, That Riff's Been Taken) with last year's I Like You a Lot Getting Older.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nizBlu57MGE?si=4lsOGlI-UI5dW86c\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"x_MsoNormal\" data-olk-copy-source=\"MessageBody\"\u003eI'll Take Your Word For It (Acoustic) - Redd Kross\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\" data-olk-copy-source=\"MessageBody\"\u003eStuff (Acoustic) - Redd Kross\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\" data-olk-copy-source=\"MessageBody\"\u003eThe Lady In The Front Row (Acoustic) - Redd Kross\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\" data-olk-copy-source=\"MessageBody\"\u003eAlways Think With My Temper - Hard Ons\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\" data-olk-copy-source=\"MessageBody\"\u003eYou'll Always Be Safe With Us - Hard Ons\u003c\/li\u003e\n\u003cli class=\"x_MsoNormal\" data-olk-copy-source=\"MessageBody\"\u003eGetting Older (Radio Edit) - Hard Ons\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Redd Kross \/ Hard Ons","offers":[{"title":"Default Title","offer_id":52721886167356,"sku":"CRT335","price":25.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/redd-kross-hard-ons-tour-split.jpg?v=1770307162"},{"product_id":"motorpsycho-the-gaia-ii-space-corps-lp","title":"Motorpsycho - The Gaia II Space Corps - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-markjs=\"true\" class=\"markr10rzy0mj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-olk-copy-source=\"MessageBody\"\u003eON LTD YELLOW VINYL\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-markjs=\"true\" class=\"markr10rzy0mj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-olk-copy-source=\"MessageBody\"\u003eMotorpsycho\u003c\/span\u003e\u003cspan\u003e has always been of the opinion that the most interesting stuff happens in any art form before it is formatted and settled. In rock music, this phenomenon peaked in and around 1970, and it is in this period that the best heavy music was made, simply because the rules weren’t set, there were not ropes yet, and there were no clichés to fall back on.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Gaia ll Space Corps is an album of tunes that don’t quite sound like heavy metal or hard rock, but clearly is reaching for some of the same qualities. It is post-psychedelic, pre-metal music, and is probably as close to making a true blue ‘classic hard rock’ album \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markr10rzy0mj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eMotorpsycho\u003c\/span\u003e\u003cspan\u003e ever will come. The Gaia ll Space Corps is a short, concise, ca\u003cimg\u003etchy and exciting album, continuing where \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markr10rzy0mj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eMotorpsycho\u003c\/span\u003e\u003cspan\u003e’s Stanley and The Come back left off. The instrumentation is mostly guitars, guitars and some more guitars, but there is quite a bit of singing in there too, and even an occasional keyboard sound or two as well. But mostly this is guitar music that ...well, rocks! Hard!!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe first single is the album’s lead off track Fanny Again Or. This Bent sung fable is a shot of adrenaline that fairly reeks of the Osmonds (and comes with a faint whiff of the Hammer of the Gods). It is a riffy proposition that can’t help but get the blood up in any and every true rocker! Snah then sings the tragic-but-groovy psych rocker The Great Stash Robbery, a Freak Brothers-esque tall tale of the ‘pot will get you through times of no money better than money will get you though times of no pot’-variety. Other stand-outs are the bluesy, nervy juggernaut TSMcR where the band, with Reine in the lead, almost derails as it channels the sci-fi blues of the mighty Groundhogs, and the title track, an exciting 60’s stomper celebrating the proud feats of the titular organisation. It features Snah on electric sitar. The Hornet choogles briskly along (‘...and don’t forget to boogie!’), before the epic, Snah sung ballad The Oracle lets the sun in for a breath of air. Light and shade, right? This version of the band (Ryan \/ Sæther, with Fiske and Olsen) then tops it all by delivering an epic, knock-out version of the old Frost classic Black As Night to end proceedings in appropriate Detroit style.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘They don’t make records like this anymore’ the band thought, then went and did something about it. Recorded both at the Old Cheese Factory in Trondheim and in Amper Tone in Oslo, The Gaia ll Space Corps proudly sounds like it was recorded in 1970 and makes up in excitement for what it might lack in subtlety. And sometimes you just gotta let it rip, dontcha? \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markr10rzy0mj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eMotorpsycho\u003c\/span\u003e\u003cspan\u003e certainly thinks so, and offers up The Gaia ll Space Corps as an answer to the acoustic jangle of Yay! [NFGS0223] and the epic workouts of \u003c\/span\u003e\u003cspan data-markjs=\"true\" class=\"markr10rzy0mj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eMotorpsycho\u003c\/span\u003e\u003cspan\u003e [NFGS0125]. Made with love and respect for a dying art form, it’s energy will leave you reeling, deaf and happy, socks rocked well and truly off! Rock is dead, long live rock!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CR4l6Xow6T0?si=sMwMMLD7rPpW6k2O\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu data-olk-copy-source=\"MessageBody\"\u003eTracklist\u003c\/u\u003e: 1. Fanny Again, Or 2. The Great Stash Robbery 3. TSMcR 4. TheHornet 5. The Gaia II Space Corps 6. The Oracle 7. Black As Night\u003c\/span\u003e\u003c\/p\u003e","brand":"Motorpsycho","offers":[{"title":"YELLOW VINYL","offer_id":52721898914108,"sku":"NFGS0126LP","price":28.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52721898946876,"sku":"NFGS0126CD","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/motorpsycho-the-gaia-ii-space-corps.jpg?v=1770309217"},{"product_id":"damaged-bug-zuzax","title":"Damaged Bug - Zuzax - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman'; color: #202020; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: AR-SA;\"\u003eOn Purple Grimace Vinyl Edition \/ \u003c\/span\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman'; color: #202020; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: AR-SA;\"\u003eBlack Vinyl \/ \u003c\/span\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman'; color: #202020; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: AR-SA;\"\u003eCD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman'; color: #202020; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: AR-SA;\"\u003e40 or so Damaged Bug tunes from the past seven years were orphaned \/ unfinished, which is pretty rare for me. I just kept having other things going on \u0026amp; life kept getting in the way. And frankly, the songs were all over the place so I didn’t see a thread in there, but in light of current events in the world, I feel like It’s every artist’s calling to construct personal messages cloaked in moments of escapism. That’s what this record is for me–something to clear the decks a little bit in my studio, relax my mind, and keep the wolf from the door. It’s a bit of a joyous\/sad record dealing with hope and forgiveness, two things which I hope end up more in my life.\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman'; color: #202020; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: AR-SA;\"\u003eIt’s abstract and poppy, fried and sugary.\u003cbr\u003e\u003cbr\u003eIt's exactly how I feel at the moment fried and skewed.\u003cbr\u003e\u003cbr\u003eGood luck out there and I hope this turns off the torrent for you, for a moment.\"\u003cbr\u003e\u003cbr\u003e- John Dwyer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: 'Times New Roman'; color: #202020; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: AR-SA;\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RkY4mEPOWoY?si=aepsDOhZ94UUHeQh\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Damaged Bug","offers":[{"title":"Purple Grimace Vinyl Edition","offer_id":52724162265404,"sku":"DG009X","price":27.5,"currency_code":"GBP","in_stock":true},{"title":"Black Vinyl Editon","offer_id":52724162298172,"sku":"DG009","price":26.5,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52724162330940,"sku":"DG009CD","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/damaged-bug-zuzak.jpg?v=1770374075"},{"product_id":"heavy-axe-a-quiet-bay-lp","title":"Heavy Axe - A Quiet Bay - LP","description":"\u003cp\u003e\u003cspan\u003eFirst full length of its final year for Feral Child, sees the most wonderful LP from Sussex based duo HEAVY AXE. 11 gorgeously slow building, subtle krautrock infused nuggets all of which have a beautiful earthy, peacefulness at its core- recalling perhaps, the collaborative work Eno undertook with Cluster and Harmonia, tho’ more on that later. This is a truly epic record; in equal measure mind-blowingly beautiful, truly up-reaching kosmische music, consistently maintaining an intoxicating warmth and knowing grasp of where truly great ambient music can transport the listener. Whilst other pieces such as “Enhancer” or “Clusters” break impressively from ambient start points into wonderfully fresh sounding, driving motorik grooves…. The duo themselves fill in a little background; “Heavy Axe is synth devotee and producer Neil Correlations and multi-Instrumentalist Khaled Lowe. Taking their cue from the atmospheric textures of ambient and the Kosmische experience, this is their debut LP entitled “A Quiet Bay” released this February via Feral Child. The duo started recording together after Neil visited Khaled’s home and toured his studio, which contained an array of vintage synths, guitars, FX, and other exotic instruments, many of which can be heard in their subsequent output. Throughout the day, Khaled played a marathon session of Kraut\/ Kosmiche and other outlandish electronic fare, which further piqued Neil’s interest, with the pair planning to record together as soon as possible. This culminated in their first release for Feral Child Recordings in the shape of The Goat Is Cold EP, which garnered a number of plays on BBC6 music- most notably Gideon Coe. The acoustic instruments played by Khaled (gong, flute, hand drum and waterphone, to name a few) for these sessions were recorded with the help of sound artist Simon James (The Simonsound \/ Black Channels, etc), who mixed the EP and “A Quiet Bay” here. Simon’s work with his trusty Buchla 200e Electric Music Box also underpins one of the record’s highlights in “Everything”. Recorded at Neil \u0026amp; Khaled’s studios between mid 2024 and early 2025 and utilising additional recordings from ‘The Goat Is Cold’ sessions, “A Quiet Bay” is guided by their love of the more pastoral sounds emanating from the music of Popol Vuh, Eno, Cluster, Ash Ra Tempel, Michael Rother, to name but a few. Indeed, Khaled’s interpretation of the driving, sustained Rother guitar sound looms heavy throughout the record, perfectly complementing Neil’s often understated synth motifs. Esteemed session drummer Francesca Prattico joins the LP on “Clusters” and “Enhancer” with Donato Panaccio on Mastering duties” A superbly consistent record, (for which film clips have been made for every track) that is released as a one time vinyl pressing on Crouch End based label Feral Child.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9LA2clTsf1U?si=yWswO8nmarsG7F8K\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist: 1. A Quiet Bay 2. Arp Interlude 3. Not Swimming 4. Snow Drift 5. Honduras 6. Enhancer 7. Hills Of Denham 8. Clusters 9. Everthing 10. Solina 11. There Is Not Enough Time\u003c\/span\u003e\u003c\/p\u003e","brand":"Heavy Axe","offers":[{"title":"Default Title","offer_id":52750455111996,"sku":"FC68","price":18.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/heavy-axe-a-quiet-bay.jpg?v=1771429766"},{"product_id":"bill-orcutt-music-in-continuous-motion-lp-cd","title":"Bill Orcutt - Music In Continuous Motion - LP\/CD","description":"\u003cp\u003e\u003cspan\u003eMusic in Continuous Motion, Bill Orcutt’s latest entry into his 21st-century repertoire of quartet guitar music, pointedly steps away from the cut-and-paste constructivism of Music for Four Guitars into a sonic stratum that's yearningly melodic, resolutely human, and built for performance. Conceived for a 2026 NYC concert, Music in Continuous Motion shares the concision of its predecessor—but rather than the discrete, mechanistic precision of Music for Four Guitars, the tracks on Music in Continuous Motion unify—each song weaving four gleaming threads into the warp and weft of an evolving, complex texture that employs simple, repeating motifs to build new melodies from counterpoint itself. It accomplishes this in the most efficient manner possible: most of these 12 tracks hover around two-and-a- half minutes, each iterating first the substrate, then the melody and its variations, then slamming shut like a clockwork music box. Based on previous recorded evidence, Orcutt is fond of boundary conditions for his studio guitar records. Much of the time, his launchpad is obvious (The Four Louies, How to Rescue Things); with others, it’s intentionally obscured. When recruiting me to write about each release, he might send me a clue (“This is a bridge pickup record more than a neck pickup record,” Orcutt helpfully offered for Music for Four Guitars). Although any given dispatch is a potential red herring, up until now, each has implied an Oulipian conceit (however obtuse) that at least somewhat determines the outcome. Thus, I was a bit surprised by his statement on Music in Continuous Motion—“The mystery of how [the] same person, same process, same gear produces different results.\" When pressed, he elaborated that the record features “no triplets,” something I’ve yet to count out to determine for myself. Whatever overarching form the recording process may have mapped out, the path of the finished album is explicitly poetic. Echoing its predecessor, the song titles, read in sequence, paint fleetingly-glimpsed forms—but in contrast to the distant shapes described in Music For Four Guitars, the present narrative spotlights the dance of polygons momentarily grasped (and then lost) as they spin through space: “Because sharp also smooth,” “And warm to the touch,” “Now nearly gone,” “Yet always moving,” “Impossible to reach.” Ultimately, the key difference between the albums (and what places Music in Continuous Motion in the realm of poetry) is its celebration of movement over immutability, of melody over form, of music as a hot wire to the heart rather than another upped ante in an arms race of inscrutability.—Tom Carter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist: 1. Giving unknown origin 2. Unexpectedly heavy 3. Reflective, silent 4. Because sharp also smooth 5. And warm to the touch 6. Now nearly gone 7. Unfinished not fragile 8. Yet always moving 9. Impossible to reach 10. Is left alone 11. Barely there 12. Or difficult to see\u003c\/span\u003e\u003c\/p\u003e","brand":"Bill Orcutt","offers":[{"title":"LP","offer_id":52750614495548,"sku":"PAL096","price":28.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52750614528316,"sku":"PAL096CD","price":17.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/bill-orcutt-music-in-continuous-motion.jpg?v=1771432125"},{"product_id":"flipper-generic-flipper-lp","title":"Flipper - Generic Flipper - LP","description":"\u003cp\u003e\u003cstrong\u003eLIMITED TRANSLUCENT YELLOW VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGeneric Flipper, the debut album by Flipper, remains the most absorbing full-length LP to emerge from the early San Francisco punk scene. A constant source of imitation for so-called “noise rock” bands, it has yet to be surpassed in its nihilistic glee. Recorded between October 1980 and August 1981 and released in 1982 on the indispensable Subterranean Records, this album functions as a chaotic, sticky mass of individual personalities: the magma-like bass eruptions and dual vocals of Will Shatter and Bruce Loose, Ted Falconi’s icy guitar scraping and the relentless beat of drummer Steve DePace. At times playful and taciturn, paranoid and absurd, Generic charts a deliberate path that willfully chances destruction. In early ’80s punk, when the hardening default was “faster-shorter-louder,” Generic subverts the nascent hardcore scene with a strictly applied regimen of turgid-slowerheavier. The lyrics are bleak, yet unnervingly beautiful. “Ever” sets the tone with trademark restraint—“Ever wish the human race didn’t exist? And then realize you’re one too?”—while closer “Sex Bomb” is a churning, 8-minute epic with looping bass, saxophone accompaniment and electronic effects of dropping bombs. Tons of indie bands have attempted to recreate Flipper’s mix of acidic guitar, metallic bass sludge and sardonically brilliant lyricism, using the seemingly effortless template they pioneered; however, the effect usually drives listeners right back to Generic. While most of their contemporaries wilt under direct comparison, No Trend, the Butthole Surfers, feedtime and Church Police are a few who can stand the frigid heat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oP38YezN88M?si=YODF_luFDppwJIh-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 1. Ever 2. Life Is Cheap 3. Shed No Tears 4. I Saw You Shine 5. Way Of The World 6. Life 7. Nothing 8. Living For The Depression 9. Sex Bomb\u003c\/span\u003e\u003c\/p\u003e","brand":"Flipper","offers":[{"title":"YELLOW VINYL","offer_id":53768953069884,"sku":"SV210","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/flipper-generic-flipper.jpg?v=1771516556"},{"product_id":"youbet-youbet-lp-cd","title":"youbet - youbet - LP\/CD","description":"\u003cp\u003e\u003cspan\u003eThe self-titled third album by Brooklyn-based artist Nick Llobet and Micah Prussack, aka youbet, is an expansive, warm mesh of indie-rock, pop, and experimental textures. It shows a band that has grown well beyond its bedroom pop roots, into a more confident, complex, and loud force. Co-produced by Katie Von Schleicher (solo work on Ba Da Bing!, Wilder Maker) and Julian Fader (Remember Sports, Ava Luna). The best teachers never stop learning. They listen closely, stay curious, and let what they discover shape how they guide others. On their new self-titled album as youbet, longtime music educators Nick Llobet (he\/they) and Micah Prussack (she\/her) proudly act as both explorer and guide, sharing three-dimensional musical sculptures so confidently and esoterically their own that they couldn’t have been released under any other name but youbet. Created in motion and shaped between long stretches of touring, the album reflects a moment of ecstatic possibility and grit. Both sharpened and expansive, youbet grows from the confines of home recording and “bedroom pop” into something sturdier, louder, and unmistakably the band’s own. Llobet relocated to New York from Denver in 2013 and forged initial connections in the local scene, while creating youbet and writing two albums, but it wasn’t until meeting Prussack in 2022 that they discovered a different level of musical connection. When the duo started playing together, they quickly realized their uniquely shared musical language and eagerness to learn from everything, connecting over a vast array of musical influence and their own practice of teaching. The duo began experimenting musically, and their subsequent year of touring led to a new, more refined sound. That depth of surprise and expansive warmth radiates from album opener “Ground Kiss,” a late-night existential query written when Llobet found themselves adjusting to living alone after the end of an 11-year relationship. The song encapsulates striving, failing, and rebuilding amongst clouds of plucked Big Thief-esque glow and bursts of distorted frustration. Elsewhere on the album the duo’s vast influences - everything from The Beatles, Bernard Herrmann’s dizzying Vertigo soundtrack, flamenco, Japanese noise-rockers Boris, and more - weave in and out as the band crafts their own musical language. Co-producers Katie Von Schleicher and Julian Fader round out the album, the former adding synth glisten and the latter a drum backbone hammered into place by Prussack’s bass. youbet demonstrates Llobet and Prussack’s ability to weave beguiling musical and lyrical expression, pushing and pulling at the resulting mesh. What emerges is an album that doesn’t just break free of the artists’ former constraints, but reconfigures them into something sturdier: Llobet and Prussack’s collaborative language capable of holding contradiction, growth, and connection all at once.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dy_m3wxbj0A?si=vKLT6NQo8iH2z9co\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 1. Ground Kiss 2. See Thru 3. Undefined 4. Worship 5. Receive 6. Fertile Eyes 7. Nadia 8. Embryonic 9. Bad Moon 10. Bad Choice\u003c\/span\u003e\u003c\/p\u003e","brand":"youbet","offers":[{"title":"LP","offer_id":52780378882364,"sku":"HARLP184","price":23.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52780378915132,"sku":"HARCD184","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/youbet-youbet.jpg?v=1771519143"},{"product_id":"the-sleeves-the-sleeves-lp","title":"The Sleeves - The Sleeves - LP","description":"\u003cp\u003e\u003cspan\u003eThe Sleeves are the duo of Jack Cooper and Tara Cunningham, both likely known to you as one half of Modern Nature. Following an all-instrumental Mossy Tapes release last November, Cooper and Cunningham have recorded 10 new songs showcasing their vocal and guitar interplay with only the faintest echoes of prior efforts (individually or collectively), representing a fully realized leap forward from their largely improvised debut. 'The Sleeves' is a somewhat counter intuitive take on the guitar\/vocal duo formula (provided you think there is such a thing) though it's not nearly as simplistic as \"the space between the notes\" -- it would be the height of exaggeration to say an album this simultaneously expansive and incandescent is unprecedented. But it doesn't happen nearly often enough, either. The Sleeves have London and NYC dates planned for this July and September respectively, with further touring to be announced in the coming weeks. “What I initially found so familiar and exciting about playing guitar with Jack - and continually do - is that our approach to music is pretty much exactly the same. And that is - to celebrate the space that frames ideas, embraces silence, to play simply, simultaneously championing our respective unembellished guitar sounds, whilst looking for sounds that aren’t like a guitar at all - bells, birds, switching between radio stations etc. It’s rare to find someone who - whatever this means to you - ‘gets it’ - and I think when we started playing guitar together, we both knew the other had something of whatever our ‘it’ was.” “‘The Sleeves’ is the sum of our shared musical journey thus far, an exciting mix of familiarity and uncharted territory in its approach to structure and how we use our guitars and voices. It feels to me like we are both citing shared references and traditions, whilst floating in our own, single-cell world that is completely genre-less. That grey area is where we seem to thrive. As Jack says, it feels like music that really couldn’t be made by anyone else.” - Tara Cunningham “Tara and I started playing guitar together at the start of 2024. It was an improvised music night in a railway arch in South London. The set was great but there was a couple of minutes in particular where Tara and I really sort of locked in. We made a record a few weeks later. There was something in the way we played together that felt very intuitive from the start. We recognised a shared approach right away and an affinity to the way each other played.” “During the summer we got stuck in a traffic jam coming home from a show in Glasgow. We spent a few hours singing along to the Mamas \u0026amp; The Papas and Simon \u0026amp; Garfunkel and over the course of the day, like magic we became The Sleeves.\" “We're excited about it because it feels like music that really couldn’t be made by anyone else. We don’t bring different elements to it. We both bring exactly the same things. It’s the result of our similarities.” - Jack Cooper \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2264821433\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/gerardcosloy\" title=\"12XUAustin\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003e12XUAustin\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/gerardcosloy\/the-sleeves-come-on-man\" title='The Sleeves  - \"Come On Man\"' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eThe Sleeves - \"Come On Man\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 1. Come On Man 2. Empty Thoughts 3. You, Now, Again 4. A Door Swings 5. Tin Foil 6. Procedure 7. Rip It Up 8. Headfirst Into Four 9. Wailed Garden 10. Streetcar\u003c\/span\u003e\u003c\/p\u003e","brand":"The Sleeves","offers":[{"title":"Default Title","offer_id":52780384190780,"sku":"12XU176-1","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/the-sleeves-the-sleeves.jpg?v=1771519488"},{"product_id":"shane-parish-autechre-guitar-lp-cd","title":"Shane Parish - Autechre Guitar - 2LP\/CD","description":"\u003cp\u003e\u003cspan\u003eThis record shouldn’t, strictly speaking, be possible at all. It’s not just that Autechre’s music is electronic and Shane Parish’s is acoustic. It’s not just that Autechre come from electro and techno, while Shane’s solo guitar music is rooted in jazz, folk, and the blues. Those borders, between mediums and genres, are as porous as you want them to be. But Autechre are synonymous with difficulty, opacity, inscrutability—known for unparseable rhythms, cryptic riffs, and shapeshifting timbres. Even on their early records, before they’d begun building out the mind-bending software systems that have defined the past quarter-century of their music, the duo of Sean Booth and Rob Brown were working at the very limits of their machines: eking melodies out of drum sounds, programming intricate polyrhythms of superhuman complexity, and writing sequences that defy attempts to decipher them. I’ve been listening to “Yulquen” for 31 years, and I still couldn’t tell you just what is happening between the melody and the beat; try as I might, I simply can’t count out the steps. Now take Shane: one guy, one guitar, two hands. Six strings. Ten fingers. (Throw in a tapping foot for when the timekeeping gets tricky.) That’s the sum total of what he’s working with. These are not the kinds of tools you’d think would be equipped for Autechre’s music. But if anyone could take on a project like this, it’s Shane. Informed by his years spent playing standards as a working musician in supper clubs and resorts around Asheville, North Carolina, he’s been arranging music for solo fingerstyle guitar for decades—much of it material originally written for and recorded on other instruments. On his astonishing 2024 album Repertoire, he tackled songs by Ornette Coleman, Charles Mingus, Eric Dolphy, Alice Coltrane, and even Kraftwerk and Aphex Twin, zeroing in on the essence of each and rendering it into his own sure-footed yet exploratory style. The origins of Autechre Guitar run deep. Last year, Shane posted a low-key nylon-string performance of “Slip,” recorded in his living room, on YouTube. But his first attempt at the song was actually way back in 2004, when he notated his first rudimentary transcription of its serpentine melody—a 29-beat phrase that seems to slip and slide over a 4\/4 pulse, to subtly unsettling effect. He had returned to the song over the years, with a vague idea of eventually doing something more with it; finally, after Repertoire’s Kraftwerk and Aphex Twin covers—and with the urging of his wife, a die- hard Autechre fan—he decided to try his hand at an entire album of Autechre covers, and sat down to begin notating songs, one by one. Puzzling out the sequences. Arranging the counterpoints. Translating shades of pewter and graphite into something resembling a 12-tone scale. And, most importantly, finding ways to distill Autechre’s seemingly limitless details in ways that could be played by just 10 fingers without losing the soul of the song. It was, in essence, a kind of sleight of hand. The material on Autechre Guitar is drawn entirely from the 1990s—specifically, from the albums Incunabula (“Maetl,” “Eggshell,” “Bike,” “Lowride”), Amber (“Slip,” “Nine,” “Yulquen”), Tri Repetae (“Eutow,” “Clipper”), and LP5 (“Corc”). The reason is simple: That’s the melodic golden age of Autechre, when Booth and Brown were writing hooks that would go down as some of the most enduring, and emotionally satisfying, in the past three decades of electronic music. Shane has done a remarkable job of capturing those melodies and translating them for the steel strings of his Taylor 214E-G. Anyone who knows Autechre’s “Bike,” a dreamy highlight of their debut album, will instantly recognize the melody Shane has pulled out of it, high notes drizzling down like raindrops on the windshield while octaves in the bass swish back and forth, steady as wipers. But what I find even more fascinating are the examples where the connection isn’t so clear. Where the melody in the original song isn’t so obvious, say—like “Clipper,” with its droning pads and rigid bursts of arpeggio, or “Corc,” with its gamelan shimmer and open-ended riffs. “Eutow” is another one that stops me in my tracks every time: How on earth did Shane get from the original’s smear of supersaw pads, arcing glissando, and whipcrack electro beat to what he gives us here: a somber, Faheyesque report from the depths of solitude? Or just listen to “Nine,” whose portamento attacks he turns into pitch-bent blue notes straight out of the American South. (The album version of “Nine” is actually the original demo recording Shane made of the song; it’s the only take where he feels like he really captured the magic of that song.) Listening to Shane’s versions of these tracks, you intuit the way he’s had to reach deep inside each song, working by feel alone, to grasp its contours and come back with something that communicates its ideas, even if it sounds all but unrecognizably different. Ultimately, Autechre Guitar works on multiple levels. It’s a celebration of Autechre’s music, shining a spotlight on the durability and flexibility of their songwriting. At the same time, it’s an invitation to listen deep inside the music, to take part as active listeners in the process of translation and interpretation. And while it hardly needs to be said, it’s an invitation to simply get lost in Shane’s astonishingly fleet playing, which takes these songs of unfathomable difficulty and makes them seem practically effortless. –Philip Sherburne \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4C6KBEQ3LFI?si=UIdqBft6RTpj5VNw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1) Maetl\u003cbr\u003e2) Eggshell\u003cbr\u003e3) Eutow\u003cbr\u003e4) Slip\u003cbr\u003e5) Bike\u003cbr\u003e6) Nine\u003cbr\u003e7) Y ulquen\u003cbr\u003e8) Lowride\u003cbr\u003e9) Corc\u003cbr\u003e10) Clipper\u003c\/span\u003e\u003c\/p\u003e","brand":"Shane Parish","offers":[{"title":"2LP","offer_id":52797647716668,"sku":"PAL095LP","price":43.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52797647749436,"sku":"PAL095CD","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/shane-parish-autechre-guitar.jpg?v=1772015291"},{"product_id":"bonner-kramer-thurston-moore-they-came-like-swallows-seven-requiems-for-the-children-of-gaza-lp-cd","title":"Bonner Kramer | Thurston Moore - They Came Like Swallows - Seven Requiems For The Children Of Gaza - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eAVAILABLE ON LTD CLEAR VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey Came Like Swallows is the first album-length collaboration between Thurston Moore and Kramer (now officially Bonner Kramer), two giants of alternative\/ experimental music. The accomplishments and influence of these two artists in the world of independent music cannot be overstated and the result of their artistic union is a startlingly cohesive statement that burns through landscapes of primitive outsider rock, avant-garde composition, progressive ambient and further locales boldly and beautifully unnamable.  “Kramer and I reconnected in Miami, Florida, a few years back, many many years after each of us had departed NYC on separate life adventures. It was only a matter of time before Kramer and I started making plans to record together and with his irrepressible due diligence he quickly set up a mobile recording contraption in the pad I was decamped in, the Florida sunshine flowing through the palm leaves, lithe lizards skittering across the windowsills, and we just went for it. Kramer had the idea to cover a Joy Division tune, a left turn from the improvisations we had been tracking, though wholly in keeping with both our sensibilities of light and dark unifying in transcendent songwriting, both of us devotees of 'the song' as well as 'the freedom.’ What transpired is They Came Like Swallows, a session we immediately felt should exist as a prayer to the war-torn souls of the families of Palestine continually decimated by the brutality of genocide. We agreed beyond words to offer our music as a sonic activism and as a beneficent energy. This album is our duo exchange for human dignity, it is our soul music for any semblance of a peaceful planet.” ~ Thurston Moore “For the first time in our nearly 45 years of friendship, we had identical time windows open to make a record together,” recounts Kramer. After all this time not a moment is wasted as the duo immediately taps into the heightened core of improvisational tension across these seven offerings. Volcanic opener “Urn Burial” notches a similar historic union (John Cale and Terry Riley) to meet the circumstances of the moment, with swirling mists of organ and pounding toms over guitar that thickens the atmosphere with jagged, grimy dissonance. Solemn strings open the second track, “The Redness In The West,” with Kramer’s cello and viola in dueling bow beneath the high tension drive and sustain of Thurston’s electric guitar, tapping out a Morse code of tension that mounts endlessly into a fog of inevitable war by the end. Moore and Kramer’s sense of experimentalism is in free and full grandeur throughout They Came Like Swallows, though the duo keep a strong and constant sideways eye on melody, composition and architecture, to the ends that any strict lines between song and improvisation are blurred beyond qualification. As if to punctuate this point, Swallows closes with a nightwork cover of Joy Division’s “Insight,” a doleful coda that breathes out with a solemn inner grace under Thurston’s instantly stylistically recognizable guitar melodies as they weave into he and Kramer’s unison voices. As the lone vocal piece and only traditional ‘song’ form on the album, “Insight” is unique to this set and as a closing statement draws connective lines back to the kind of dynamic, electrified melodicism that wove deep, melancholy patterns into the untamed fire of Sonic Youth’s Sister and Daydream Nation. In the album’s final moments, the two voices repeat the lyric “I’m not afraid anymore” as mantra, underscoring the heavy, unsettled themes and methods that preceded it. Kramer describes the creative process of They Came Like Swallows: “I had composed and recorded a few pieces at my home studio over the course of a couple weeks. Thurston was spending the winter in South Florida, so I flew down and spent a few days recording his guitar parts in his home there. Watching him spontaneously compose his parts was pretty astonishing, to say the least. Once we'd finished working on those pieces, we began improvising and following wherever the music pointed us, and another few pieces were born. We got straight to it, without anything driving us other than the joy of finally working together. My personal goal was to remain present and catch as many surprises as I could from Thurston's guitar work, and there were plenty during those few days. We had a fucking blast.” Thurston’s contributions here will be readily familiar to any acolytes of his other works, the through-line between his inspired playing, cradled in Kramer’s meticulous, solid arrangements. “If I had to make this record again, I'd do it all exactly the same way,” Kramer says. “It’s like jazz, you don't think about it. You just do it. It was miraculous, and you don't fuck with a miracle.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Xqeihp86aaI?si=X1Al36L_azTmj6Xq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist: 1.Urn Burial 2. The Redness In The West 3. The Third Migration 4. They Came Like Swallows 5. The Living Theater 6. The Oceans Are Crying 7. Insight\u003c\/span\u003e\u003c\/p\u003e","brand":"Bonner Kramer \/ Thurston Moore","offers":[{"title":"CLEAR VINYL","offer_id":52891558707516,"sku":"SC67X","price":30.49,"currency_code":"GBP","in_stock":true},{"title":"BLACK VINYL","offer_id":52891558740284,"sku":"SC67","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":52891558773052,"sku":"SC67CD","price":13.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/thurston-moore-bonner-kramer-they-came-like-swallows-seven.jpg?v=1773837454"},{"product_id":"rose-mcdowall-cut-with-a-cake-knife-lp-cd","title":"Rose McDowall - Cut With A Cake Knife - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003e2026 REPRESS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCut The With The Cake Knife was recorded by Rose McDowall in 1988\/89 following the break up of her group Strawberry Switchblade. Produced with the aid of several musicians in several studios, the album features songs written for the fabled second Strawberry Switchblade album. More importantly perhaps it showcases the honest, direct and life-affirming songs of one of the greatest unsung songwriters of the modern pop era at a tumultuous time in her career. Tibet opens the set and could be one of the best pop songs you’ve never heard. The innate sadness of the songs’ content – the loss of a friendship, impending sorrow – is heightened to heart-melting level by McDowall’s pop nous and melodic sensibility. Choruses and hooks are everywhere on Cake Knife, from the outsider take on stadium 80s pop in Wings Of Heaven to the spiraling, ecstatic So Vicious, a glorious anthem that highlights the human fragility in McDowall’s vocal performance, an instrument that has never lost the naïve purity it first exemplified in Strawberry Switchblade’s early 80s recordings. The centerpiece of the album, the title-track, is the greatest Switchblade pop chart hit that never was. Like the veiled melancholy of her former group’s hits, Cut With The Cake Knife hints at a darkness beneath the gloss, a darkness that saw McDowall delve into more esoteric territory with her subsequent recordings and collaborations. Cut With The Cake Knife serves as the bridge between the pop music McDowall had been making with her friends Jill Bryson, Lawrence from Felt and Primal Scream to what became a more extreme, deep sound informed by neo-folk and post industrial music. Rose McDowall’s role in the canon has always been one of an outsider. Beginning in Glasgow’s East End in the avant proto-noise group The Poems, achieving fame briefly in the 80s and then disappearing into counter-cultural folklore, the emphasis in the internet-age has been skewed towards her image and cultural significance. Unseen to many, her solo work, her groups Sorrow and Spell and her collaborations with a whole host of underground luminaries have still touched lives. As McDowall elucidates: “They're real sad songs, about real life. I've had people come up to me to say I'd connected with them and helped them. I remember a gig in America when we made a whole room cry. It was bizarre. A couple at the front of the stage started crying and then these two boys beside and suddenly everyone was crying. And I thought, \"that's power.\" Night School’s issue of Cut With The Cake Knife includes unpublished photographs, extensive sleeve notes from Rose McDowall and 2 bonus tracks culled from the bootleg 7” “Don’t Fear The Reaper.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pJnT92FSYvI?si=5Vkx0qSZH57CgTwE\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Tibet\u003cbr\u003e2. Sunboy\u003cbr\u003e3. Wings Of Heaven\u003cbr\u003e4. Sixty Cowboys\u003cbr\u003e5. On The Sun\u003cbr\u003e6. Cut With The Cake Knife\u003cbr\u003e7. Crystal Nights\u003cbr\u003e8. Soldier\u003cbr\u003e9. So Vicious\u003cbr\u003e10. Don?t Fear The Reaper (2015 bonus track)\u003cbr\u003e11. Crystal Days (2015 bonus track)\u003c\/span\u003e\u003c\/p\u003e","brand":"Rose McDowall","offers":[{"title":"LP","offer_id":52892087583036,"sku":"LSSN027R","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52892087615804,"sku":"LSSN027CD","price":11.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/rose-mcdowall-cut-with-the-cake-knife.jpg?v=1773839031"},{"product_id":"tomo-katsurada-misha-panfilov-eternal-almost-lp","title":"Tomo Katsurada \u0026 Misha Panfilov - Eternal Almost - LP","description":"\u003cp\u003e\u003cstrong\u003eRANDOM COLOURED VINYL - VERY LIMITED COPIES! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Eternal Almost” is a collaborative album by Japanese musician Tomo Katsurada and Estonian composer Misha Panfilov. Born from the simple joy of songwriting and creative exchange, Tomo and Misha had long admired each other’s music from afar. When the opportunity to collaborate finally arrived, it felt completely natural, and by the time the album was finished, it almost seemed as though the two had known each other always. United by a shared sense of humour and musical curiosity, Tomo and Misha poured a raw, honest energy into these songs — one shaped by their intuitive rapport. In an increasingly artificial world, “Eternal Almost” subtly celebrates the qualities that make music feel most alive. Amid the weight of our current times, the pair hope this album brings listeners a sense of lightness, joy, and of course—a gently surreal journey from beginning to end. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ka1lIsNhMW8?si=V-A8fHSyvWnf1v3O\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Tomo Katsurada \u0026 Misha Panfilov","offers":[{"title":"Default Title","offer_id":52918937190716,"sku":"FDR01","price":28.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/tomo-katsurada-and-misha-panfilov-eternal-almost.jpg?v=1774449198"},{"product_id":"guttersnipe-extinction-burst-lp","title":"Guttersnipe - Extinction Burst! - LP","description":"\u003cp\u003e\u003cspan\u003eExtinction Burst! is the new invocation in album-form by Guttersnipe, Leeds’ premier and pre-eminent XFCER (XFCER: Xenofeminist crisis-energy rock)* duo. Slamming at full speed to multi-dimensional oblivion, Extinction Burst is the most full, hi-definition lurid dream-mare yet spewed out by Uroceras Gigas \u0026amp; Tipula Confusa. Engineered and mixed by Ross Halden at Hohm Studio in Bradford and mastered by Rashad Becker, Extinction Burst follows 2018’s My Mother The Vent, which garnered universal critical adoration. Nevertheless, this long-awaited follow up is more extreme: it is wildness beyond reason, splitting new tears in the reality gauze, ultimate hallucination through sound ecstasy. 2026’s Guttersnipe are evolved, mutated by 8 years of touring together and with the labyrinthine network of groups both Guttersnipe members are involved with - Tristwch Y Fenywod, Nape Neck, Petronn Sphene, Yexxen to name a few. On Extinction Burst, as with previous material, the duo are heavily augmented with technology. Tipula Confusa's drum kit triggers chasm-causing synth pulses with thumping low end attack.. Strafing from all over the stereo field the constant shatter of the cymbals and toms feel like Sunny Murray or Rashied Ali in full flight during a John Coltrane session in 1967. Uroceras Gigas’s guitar + synth storm is by-now similarly an instantly recognised tool kit in underground music. Switching from screeching guitar atonality to intricate riffs from the black metal\/Voivod hinterland to ultra-distorted synth meltdown, it’s an utterly overwhelming, essential and vital pouring-out of the full emotional spectrum. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bzzUN-JIbeE?si=XiPhIZwoZpnoJp2u\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 1. Alive On Tuesday 2. Mincing while the Maelstrom Churns 3. Threads Of Radical Unaliveness 4. Keep Honking! We're Stuck In A Memetic Bottleneck 5. Primordial Invagination 6. Skräckblandad Förtjusning\u003c\/span\u003e\u003c\/p\u003e","brand":"Guttersnipe","offers":[{"title":"Default Title","offer_id":52922003816764,"sku":"LSSN103","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/guttersnipe-extinction-burst.jpg?v=1774526586"},{"product_id":"kelley-stoltz-if-you-dont-know-me-buy-now-lp-cd","title":"Kelley Stoltz - If You Don't Know Me, Buy Now - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eON LIMITED BIO RED VINYL\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKelley Stoltz is an American songwriter, multi instrumentalist, and DIY innovator whose career stretches back to the late 1990s, when he began self recording lush, psych tinged pop and garage rock in his San Francisco home studio. Born in New York City in 1971, and raised in Michigan, Stoltz has released a remarkable catalog of albums on labels including Sub Pop, Third Man, and Castle Face Records often playing all of the instruments himself and drawing comparisons to the melodic craftsmanship of the major 60’s pop auteurs and the quirkiness of lesser known 80’s power-pop \u0026amp; new wave. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter issuing his 18th album, La Fleur in 2024 to critical notice, he returns in 2026 with his 19th full length release, If You Don’t Know Me, Buy Now, a collection that continues his long exploration of hook laden psych pop, introspective lyrics, and richly textured arrangements that both honor his influences and push his sound forward, reinforcing his status as one of the most prolific and singular voices in underground rock. Guests Brigid Dawson of the Osees, Karina Denike of Dance Hall Crashers, Pete Straus of the Dwarves and Allyson Baker Dirty Ghosts and other guests provide backing vocals on several tracks. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLong a favorite of MOJO, Brooklyn Vegan, and John Dwyer… Stoltz is also a onetime Echo \u0026amp; the Bunnymen rhythm guitarist and currently Robyn Hitchcock’s West Coast drummer. Stoltz is also now the host of legendary radio station KEXPs weekly Bay Area Music spotlight show, “Vinelands”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ahPLcSERubM?si=RFsGyzE8-FbetKIz\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 01. Competitive Bastard 02. Not Gone 03. Turn The Earth 04. Seventeen Lines 05. Repercussions 06. Daughters Of The Golden West 07. Watts Moon Starr 08. Look Again 09. Come On Spirit 10. Radio Station 11. Queen Of Diamonds 12. The Aches \u0026amp; Pains Of Middle Age 13. Love In Any Language (CD BONUS TRACK) 14. Heathers House (CD BONUS TRACK)\u003c\/span\u003e\u003c\/p\u003e","brand":"Kelley Stoltz","offers":[{"title":"RED VINYL","offer_id":52922035536188,"sku":"AGIT075R","price":25.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52922035568956,"sku":"AGIT075CD","price":11.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/kelley-stoltz-if-you-dont-know-me-buy-now.jpg?v=1774527815"},{"product_id":"primitive-ring-primitive-ring-lp","title":"Primitive Ring - Primitive Ring - LP","description":"\u003cp\u003e\u003cstrong\u003eON COLOUR-IN-COLOUR VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRIMITIVE RING consists of Bert Hoover (bass\/vocals), Charles Moothart (guitar\/vocals), and Jon Modaff (drums). The Los Angeles power trio formed in September 2024 when Hoover and Moothart came together seeking a new creative outlet. In 2025, the band released four 7\"s on four different labels (Greenway, In the Red, Reverberation Appreciation Society, and Fuzz Club UK). They hauled amps and drums into bars to hone the sound of the newfound brotherhood that is Primitive Ring. Rock and roll is in its essence a primal experience, and the name reflects that. Three individuals collide and egos rattle, shedding layers and growing new limbs. Archetypes flash to the rhythm of a freight train and the crown is passed hand to hand like a good luck charm, symbolic and communal. Rock and roll is for the people and Primitive Ring is for the taking. At least it will be when the band's debut LP is hurled into the future via In the Red Recordings. Primitive Ring is 11 tracks coming in just under 42 minutes. It was recorded by Mark Rains in December of 2025 at The Station House in Echo Park. The album is the genesis story of a lightning bolt flashing in the eternal drama of creation and destruction. The album showcases the distinct writing styles of each member, but the overall aesthetic is a woven tapestry demarcating the timeless meridian. The record is the spawning of a collective vision. This is something we all share, and we must remind one another how electric humanity can be.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bzlgfeMW2bo?si=jwlwJtPGX4-8T_7a\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist: 1. Fire And Brimstone 2. The Last Goldmine 3. Lies From The Other Side 4. Paid 5. Sold A Lie 6. Heads Will Roll 7. Call Me What You Please 8. Griefsong 9. The Callous Man 10. Our Oblivion 11. Golden\u003c\/span\u003e\u003c\/p\u003e","brand":"Primitive Ring","offers":[{"title":"COLOURED LP","offer_id":53768925348156,"sku":"ITR424","price":27.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/primitive-ring-primitive-ring.jpg?v=1774529327"},{"product_id":"francis-of-delirium-run-run-pure-beauty-lp-cd","title":"Francis Of Delirium - Run, Run Pure Beauty - LP\/CD","description":"\u003cp\u003e\u003cspan\u003eAs an artist who seeks to connect with her listener on a deeper level, it’s no surprise that Jana Bahrich (aka Francis Of Delirium) made hope and inner strength central themes on her new album, Run, Run Pure Beauty. Jana says the title track is “an imagining of the world after it has been destroyed by humans and technology. Thrashing against what humans have left behind, ultimately the pure beauty of nature wins out.” Wanting to bring different perspectives into her songwriting with this record - informed by both her travels and the tumultuous times we find ourselves in - she’s also brought about a progression in her sound with these new songs somehow sounding larger, with undeniable harmonies and more orchestration. Featuring the singles ‘Little Black Dress’ and ‘It’s a Beautiful Life’, Run, Run Pure Beauty serves as an excavation of hope in bleak times. Produced by Jana and Chris, and mixed by Nicolas Vernhes (Deerhunter, Dirty Projectors, Silver Jews, Wild Nothing), its eleven songs of discovery, despair and perseverance ultimately serve as a mirror on its creator and is a brilliant next installment in the Francis of Delirium arc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/p26AG6N1TQ0?si=vzQmpctQqsPIZna0\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist: 1. Aliens 2. Out Tonight 3. Run, Run Pure Beauty 4. Higher 5. Damned 6. Little Black Dress 7. Sucker Punch 8. Open Up Your Mouth to Love 9. Requiem for a Dying Day 10. Modern Madonna 11. It?s a Beautiful Life\u003c\/span\u003e\u003c\/p\u003e","brand":"Francis Of Delirium","offers":[{"title":"LP","offer_id":52922614153532,"sku":"DR126LP","price":21.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52922614186300,"sku":"DR126CD","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/francis-of-delirium-run-run-pure-beauty.jpg?v=1774543934"},{"product_id":"elder-through-zero-2lp-cd","title":"Elder - Through Zero - 2LP\/CD","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eON TRANSLUCENT NEON ORANGE COLOUR VINYL + ETCHING w\/ DL CODE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eTwo decades into their existence, \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"marku8litj7bq\" data-markjs=\"true\"\u003eElder\u003c\/span\u003e remain an anomaly in the heavy underground - a band with the ability to absorb and shed influences from a myriad of genres without falling into pastiche or losing their identity. Their new album Through Zero is a reaffirmation of their commitment to pushing boundaries and cements their status as leaders in heavy psychedelic rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cspan data-olk-copy-source=\"MessageBody\" data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"marku8litj7bq\" data-markjs=\"true\"\u003eElder\u003c\/span\u003e has long since mastered crushing riffs, melodic jaunts, progressive patterns, hypnotic grooves and ethereal atmosphere along their path of music-making in the past twenty years. On Through Zero, \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"marku8litj7bq\" data-markjs=\"true\"\u003eElder\u003c\/span\u003e takes these years of experience and forms possibly their most immediate and engaging record to date, while allowing seeds from outside the sphere of rock music to take root and bloom within their progressive framework.\u003cbr\u003e\u003cbr\u003eListeners will find familiar elements of new textures, sequences, and sounds alongside \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"marku8litj7bq\" data-markjs=\"true\"\u003eElder\u003c\/span\u003e’s iconic take on heavy rock. As always, every spin reveals new details.\u003cbr\u003e\u003cbr\u003eRecorded in Berlin across several months between tours in 2025, Through Zero is the first album which the band not only produced but also comixed together with longtime collaborator Richard Behrens. The album sounds more like a full extension of the band’s creative intentions than ever before.\u003cbr\u003e\u003cbr\u003eThe deluxe 2LP version comes on 180gr. translucent neon orange vinyl with music on 3 sides and an etching on side D. The records are housed in a gatefold with printed inner sleeves, lyrics insert and download code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mQnQjZ1HbsE?si=Qjrdb2LsxIBFiBAG\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: \u003cspan\u003e1. Sigil To Ruin 2. Capture\/Release 3. Through Zero 4. Strata 5. Sight Unseen 6. Blighted Age\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elder","offers":[{"title":"CD","offer_id":52934877249852,"sku":"PSYCHOBABBLE142CD","price":14.49,"currency_code":"GBP","in_stock":true},{"title":"TRANSLUCENT NEON ORANGE 2LP","offer_id":52934877217084,"sku":"PSYCHOBABBLE142","price":36.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/elder-through-zero.jpg?v=1774883246"},{"product_id":"philip-glass-music-with-changing-parts-2lp","title":"Philip Glass - Music With Changing Parts - 2LP","description":"\u003cp\u003e\u003cstrong\u003eFirst-time vinyl reissue! Reproducing the original sidebreaks and gatefold sleeve.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-markjs=\"true\" class=\"markdurjmghph\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-olk-copy-source=\"MessageBody\"\u003ePhilip\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markclfw0jayj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eGlass\u003c\/span\u003e, the great American composer, was already in his mid-30s before his first album appeared, and then only because he produced the double LP himself. Music With Changing Parts was the inaugural release on his own Chatham Square imprint in 1971.\u003cbr\u003e\u003cbr\u003eAt this point, Einstein on the Beach, \u003cspan data-markjs=\"true\" class=\"markclfw0jayj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eGlass\u003c\/span\u003e’ first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the melding of electronic and acoustic instruments, the elongated drones of human voice, the primary emphasis on pulse (an interest he shared with fellow composer Steve Reich) and the ecstatic potential inherent in repetition.\u003cbr\u003e\u003cbr\u003eThe album features the original \u003cspan data-markjs=\"true\" class=\"markdurjmghph\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003ePhilip\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markclfw0jayj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eGlass\u003c\/span\u003e Ensemble—the composer himself, along with Jon Gibson, Dickie Landry, Art Murphy, Steve Chambers and Robert Prado—playing Farfisa organs and woodwinds as well as Barbara Benary on electric violin.\u003cbr\u003e\u003cbr\u003eAs \u003cspan data-markjs=\"true\" class=\"markclfw0jayj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eGlass\u003c\/span\u003e describes in his memoir Words Without Music, he secured a $500 interest-free loan for the recordings’ initial release from the Hebrew Free Loan Society—an organization intended to help immigrants from the Old World upon arrival in the US. Though \u003cspan data-markjs=\"true\" class=\"markclfw0jayj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eGlass\u003c\/span\u003e was merely the grandson of immigrants, the venture wasn’t far off the society’s charter as Changing Parts helped usher in a new world of sound that would become known as Minimalism.\u003cbr\u003e\u003cbr\u003eChatham Square went on to release albums by other composers in \u003cspan data-markjs=\"true\" class=\"markclfw0jayj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eGlass\u003c\/span\u003e’ circle, including Gibson and Landry. The label was named after the Manhattan intersection where Landry had a studio and the ensemble rehearsed.\u003cbr\u003e\u003cbr\u003eBorn in Baltimore in 1937, \u003cspan data-markjs=\"true\" class=\"markclfw0jayj\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eGlass\u003c\/span\u003e first moved to New York to attend Juilliard at just nineteen, having already graduated from the University of Chicago. A staple of the Downtown scene, he can perhaps be appreciated as akin to the likes of sculptor Richard Serra or filmmaker Jim Jarmusch: mavericks who became major cultural figures entirely on their own terms.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cu data-olk-copy-source=\"MessageBody\"\u003eTracklist\u003c\/u\u003e\u003cspan\u003e: 1. Music With Changing Parts (1:01:38)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Philip Glass","offers":[{"title":"Default Title","offer_id":52934908346684,"sku":"SV211 ","price":44.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/philip-glass-music-with-changing-parts.jpg?v=1774883941"},{"product_id":"reckonwrong-how-long-has-it-been-lp","title":"Reckonwrong - How Long Has It Been? - LP","description":"\u003cp\u003e\u003cstrong\u003eThe Guardian's Experimental Album of the Month - ***** (April 2026)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReckonwrong returns in April 2026 with ‘How long has it been?’, a long-in-the-making debut album of expansive low-lit ballads and keyboard vignettes that draws equally on classic songwriting touchstones and contemporary experimental landscapes. The London-based producer and songwriter is best known for his run of releases on AD93, which joined dots between skewed club constructions, new-wave pop drama, and intimate atmospheric worlds. Recent years have been spent out of view, gradually giving shape to a set of songs exploring themes of transformation, friendship, love and the search for self-knowledge. A couple of days at Press Play studio in Bermondsey marked a turning point, and the record is tied together sonically by Rhodes electric piano and Reckonwrong’s distinctive vocals, performed in the studio to a small group of friends. These takes laid the foundation for a DIY-spirited production world of plastic backing-bands, galaxy-brained noodling, Arthurian echo, and yearning Balearic chug, all cut with equal measures of sincerity and humour. Renewal, resolution, celebration… How long has it been? forms the first release for New Year, a label shooting off from nights at South London well-of-goodness Spanners. The label aims to be an informal and exploratory home for music by friends and fellow travellers, with a gentle focus on songwriting and voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bQv0vKrUTM4?si=rI-PnIsKHsD0HXjP\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 1. Winter Visitor 2. Water of Life 3. My Eyes 4. Before \u0026amp; After 5. Loving Kindness 6. I'm Not Me 7. How Long Has It Been? 8. Lamp Lady 9. Two Lovers 10. Black Keys 11. EGTBOK\u003c\/span\u003e\u003c\/p\u003e","brand":"Reckonwrong","offers":[{"title":"Default Title","offer_id":52982510256444,"sku":"NY001","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/reckonwrong-how-long-has-it-been.jpg?v=1776178774"},{"product_id":"studio-kosmische-electronic-meditation-for-inner-space-travel-lp","title":"Studio Kosmische - Electronic Meditation For Inner Space Travel - LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eLTD COPIES ON TRANSPARENT BLUE VINYL\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStudio Kosmische duo Dom Keen and Jonathan Parkes collaborate with Russian saxophonist Ivan Bursov to create rolling waves of hymns to supine meditation. The gorgeous 'In Search Of Magick' and 'Eternal Dream Musick' conjure free-form sax and psychedelic ambience over undulating bass. 'As Above, So Below' finds swelling guitars celebrating a distant storm, while 'Golden Dunes' offers a shimmering sound bath. 'Esoteric Modulation' breaks the spell with echoed sax and thundering synth. Beautiful. - ELECTRONIC SOUND MAGAZINE, March 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 1. The Sorcerers Gather 2. In Search Of Magick 3. Golden Dunes 4. Esoteric Modulation 5. The Great Author Of The Universe 6. As Above, So Below 7. Eternal Dream Musick\u003c\/span\u003e\u003c\/p\u003e","brand":"Studio Kosmische","offers":[{"title":"Default Title","offer_id":53037487522108,"sku":"DR17","price":24.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/studio-kosmische-electronic-meditation-for-inner-space.jpg?v=1778077036"},{"product_id":"moses-yoofee-trio-chasing-light-lp","title":"Moses Yoofee Trio - Chasing Light - LP","description":"\u003cp\u003e\u003cspan\u003eFollowing the international acclaim and German Jazz Award-nominated success of their 2025 debut album, MYT, Berlin-based group Moses Yoofee Trio now return with their new EP, CHASING LIGHT. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcross six tracks, the group distils the live energy of hours spent in their Neukölln rehearsal room, delivering their most instinctive and infectiously unrestrained record to date. Produced by the band and mixed by their long-time collaborator oh.no.ty. Coming off a jam-packed tour through Asia, the US and Europe across 2025, their self-recording week of musical exploration resulted in CHASING LIGHT, which builds on the trio’s jazz and hip-hop influenced improvisations to create a lively and expansive new sound. From the frenetic breakbeats and siren-like synth lines of ‘NOTHING TO LOSE’ to the strings-laden harmonic lusciousness of the title track, the afrobeat syncopations of ‘INNER CIRCLES’ and the hip-hop swagger of ‘HONEST’, CHASING LIGHT invites listeners into the tight-knit trio’s world of intuitive self-expression and artful post-production embellishment, creating an EP that sits between the explosiveness of the present moment and the careful layering of arrangements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Qad8RwxE8kQ?si=f32XyQb9vMulziWn\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: \u003c\/span\u003e\u003cspan\u003e1. ZERO 2. NOTHING TO LOSE 3. CHASING LIGHT 4. INNER CIRCLES 5. KRAUT 6. HONEST\u003c\/span\u003e\u003c\/p\u003e","brand":"Moses Yoofee Trio","offers":[{"title":"Default Title","offer_id":53037573243196,"sku":"LTR061","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/moses-yoofee-trio-chasing-light.jpg?v=1778080242"},{"product_id":"kiasmos-ii-reworked-2lp-cd","title":"Kiasmos - II Reworked - 2LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eAVAILABLE ON LIMITED TRANSLUCENT VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKiasmos – Ólafur Arnalds and Janus Rasmussen – have invited five trusted artists to completely reimagine their second album, II. Released in July 2024 to critical and fan acclaim, the comeback album took the duo across four continents to sold-out audiences worldwide over the following 18 months. II Reworked will be released on vinyl and CD on July 3rd, with a digital release date following on August 7th, giving fans the opportunity to hear it on their preferred physical format first. The clear vinyl variant is limited to 1000 copies worldwide. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two friends entrusted the task to LA-based composers\/producers\/multi-instrumentalists Rachika Nayar and Nina Keith (AKA Disiniblud), fellow Icelandic composers Kjartan Holm and Sin Fang, and long-time friend and American composer Alex Somers. The result is a sprawling and shimmering trip back through the album’s melodies, with a dream-like haze more suited for after the dancefloor and when the lights have faded. The entirety of II has been reworked in sequence by the artists, each bringing their own distinctive colouring to the original songs. Nayar and Keith use electronic experimentation to reshape the emotional core, unveiling and highlighting stems that lay in the background of their original forms. Holm and Fang emphasise the simple beauty of the compositions, while Somers, working with analogue studio equipment, detunes pianos and strings and slows the pieces down, allowing the songs to reach new emotional heights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hMwcXp2gQ0M?si=1s-Svj18hKc2epCs\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 1. Grown (Alex Somers Rework) 2. Burst (Rachika Nayar \u0026amp; Nina Keith Rework) 3. Sailed (Rachika Nayar \u0026amp; Nina Keith Rework) 4. Laced (Rachika Nayar \u0026amp; Nina Keith Rework) 5. Bound (Alex Somers Rework) 6. Sworn (Alex Somers Rework) 7. Spun (Kjartan Holm \u0026amp; Sin Fang Rework) 8. Flown (Rachika Nayar \u0026amp; Nina Keith Rework) 9. Told (Kjartan Holm \u0026amp; Sin Fang Rework) 10. Dazed (Rachika Nayar \u0026amp; Nina Keith Rework) 11. Squared (Kjartan Holm \u0026amp; Sin Fang Rework)\u003c\/span\u003e\u003c\/p\u003e","brand":"Kiasmos","offers":[{"title":"TRANSLUCENT 2LP","offer_id":53104605561148,"sku":"ERATP182LE","price":30.49,"currency_code":"GBP","in_stock":true},{"title":"BLACK BIO 2LP","offer_id":53173058502972,"sku":"ERATP182LP","price":28.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53104605593916,"sku":"ERATP182CD","price":13.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/kiasmos-ii-reworked.jpg?v=1780499062"},{"product_id":"eddy-current-suppression-ring-in-light-of-recent-events-lp","title":"Eddy Current Suppression Ring - In Light Of Recent Events - LP","description":"\u003cp\u003e\u003cspan\u003eEddy Current Suppression Ring make a surprise return with their sixth album In Light of Recent Events. True to form, it finds the disinterested careerists sidestepping expectation and working on their own terms, in their own time. Dialled in through closed-door weekly jams across 2025, that pent-up energy has only leaked via pseudonym-billed small-room shows as Jimmy and the Ringtones and Top Hats, record shop in-stores and country detours, plus a pair of phantom straight-to-YouTube singles (‘Swimming Hole’ and ‘Hard To Be Moved’), each with accompanying films by Chris Middlebrook and Amiel Courtin-Wilson respectively.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ii-5LtaCPo4?si=HgcbJ6mpuTs8I63F\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist: 1. Sabotage 2. Bop 3. Hard To Be Moved 4. Turtle 5. Ulterior Motives 6. Ivory Tower 7. Swimming Hole 8. Empathetic 9. My World 10. On My Way Home 11. Past And Future\u003c\/span\u003e\u003c\/p\u003e","brand":"Eddy Current Suppression Ring","offers":[{"title":"Default Title","offer_id":53122522415420,"sku":"SR007","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/eddy-current-suppression-ring-in-light-of-recent-events.jpg?v=1781096575"},{"product_id":"fabinne-delsol-indigo-red-lp-cd","title":"Fabienne Delsol - Indigo Red - LP\/CD","description":"\u003cp\u003e\u003cspan\u003eFabienne has been finessing her unique blend of neo- and classic psych, ye-ye, and ‘60s beat inspired pop since releasing her debut solo album No Time For Sorrows in 2004. She’s now about to release her brand-new studio album Indigo Red. Fabienne’s recording of ‘I’m Gonna Haunt You’ (from 2004's No Time For Sorrows) was featured in the second season of the massive BBC show Killing Eve opening her music up to a wider audience. Since her 2019 album Four Fabienne has been working on tracks for her new album Indigo Red. This is her first album to be recorded at Gizzard Studios by Ed Deegan (ex Toe Rag Studios) at the controls and co-produced by Delsol and Deegan. It features a crack team of musicians including Thomas Gardner, Carwyn Ellis, and Bradley Burgess, and Rupert Brown. The album mixes new original songs with covers of songs by artists including Silver Apples, The Count Five, Sharon Tandy, and Francoise Hardy. Fabienne Delsol BIO: French-born vocalist Fabienne Delsol started her musical journey drumming and singing in various garage\/beat bands in late ‘90s London and eventually forged a solo career boasting four highly treasured albums on the esteemed Damaged Goods label. Her albums are a mix of originals and covers of obscure songs from the ‘60s. In 2019, she released Four, an album that featured Delsol's first production credits. \"On Four, Fabienne Delsol has returned with what is possibly her strongest album. She commands your attention with affecting melodies while her band complement every lift and fall. If you've never stepped into her Nuggets inspired world, now is the time to.\" With a love for fuzz guitars, psychedelia, French pop and exotic soundtracks, Fabienne imbues a coolness of ‘60s styling, and with her haunting voice breathes life into an array of studiously chosen tracks. She has now just finished her fifth album. ‘I’m Gonna Haunt You’, a track written personally for Fabienne’s debut album No Time for Sorrows received extensive airplay on Australian radio on the Triple J “Hottest 100” and has more recently soundtracked a pivotal scene in the second series of the BBC black-thriller Killing Eve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 1 She Is Gone 2 I Heard About a Friend 3 Black Sheep 4 If All Things Were Never Said 5 I Have Known Love 6 The Morning After 7 I'm Leaving You 8 Daughter of the Sun 9 Peacekeeper 10 Le Premier Bonheur du Jour\u003c\/span\u003e\u003c\/p\u003e","brand":"Fabienne Delsol","offers":[{"title":"LP","offer_id":53122567700796,"sku":"DAMGOOD650LP","price":18.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53122567733564,"sku":"DAMGOOD650CD","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/fabienne-delsol-indigo-red.jpg?v=1781097623"},{"product_id":"akusmi-terra-incognita-lp-cd","title":"Akusmi - Terra Incognita - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eAvailable on Limited Transparent Orange Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCartographers and US multinational technology corporations might think they’ve mapped out most of our big, beautiful blue planet, and yet there’s always more to discover if you know where to look. French-born, London-based composer and musician Pascal Bideau takes this as his central premise on a new album of intrepid sonic exploration that delights in the sensation of being somewhere you’ve never been before. ‘Terra Incognita’ invites us to seven faraway sonic imaginariums fusing global and spiritual jazz with life affirming minimalism into a hypnotic, polyrhythmic odyssey. This time, the albums’ sound palette is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, Highlife and Electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations. Antithetical to the precise ostinatos and gamelan patterns of the acclaimed debut ‘Fleeting Future’ (2022) and ‘Lines’ (2023). Terra Incognita, then, is a hybrid blend of traditional music and modern electronics, a trip into the unknown that ambulates freely, taking pleasure in its repetitions and never staying still. Bideau suggests this unmarked territory could be as much a fantasyland as it is a transportive journey into the inner self. “It’s probably the feeling I love the most in life,” enthuses Pascal. “It pushes you into a state of wonder and naivety that brings you back to how everything felt when you were a child.” He’s talking about dépaysement, a French word that literally translates as “uncountryfication” but has no English equivalent. “It’s the sensation you get when you visit a place you’ve never been before, where nothing makes sense and everything needs to be learnt from scratch. There are no cultural references, no familiarity, just a constant flux of new colours, smells, social and moral codes.” In an era where the concept of nation states and their need to be protected has come to dominate the political discourse, Terra Incognita embraces adventure without borders, seeking out the unexplored territory of the title, breathlessly beholding vistas and pirouetting to take in boundless panoramas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JzXQuBeeeOs?si=IIBtjGJo65abJDmp\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP Tracklist:\u003cbr\u003eA\u003cbr\u003e1. A Waking Dream\u003cbr\u003e2. Anima\u003cbr\u003e3. Club Subterranea\u003cbr\u003eB\u003cbr\u003e1. Drongo's Flute\u003cbr\u003e2. Rain Dance\u003cbr\u003e3. Dawning Dusk\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCD Tracklist:\u003cbr\u003e\u003cbr\u003e1. A Waking Dream\u003cbr\u003e2. Anima\u003cbr\u003e3. Club Subterranea\u003cbr\u003e4. Pleine Lune (Bonus CD track)\u003cbr\u003e5. Drongo's Flute\u003cbr\u003e6. Rain Dance\u003cbr\u003e7. Dawning Dusk\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Akusmi","offers":[{"title":"COLOURED VINYL","offer_id":53122744254780,"sku":"TU020LE","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"BLACK VINYL","offer_id":53173067743548,"sku":"TU020LP","price":22.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53122744287548,"sku":"TU020CD","price":12.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/akusmi-terra-incognita.jpg?v=1781103777"},{"product_id":"tomo-katsurada-jonny-nash-at-the-emerald-pool-lp","title":"Tomo Katsurada \u0026 Jonny Nash - At The Emerald Pool - LP","description":"\u003cp\u003e\u003cspan\u003eMelody As Truth and Future Days Radio present ‘At the Emerald Pool’, an album by Tomo Katsurada and Jonny Nash. Netherlands-based artists Tomo Katsurada (Ex-Kikagaku Moyo \/ Future Days Radio) and Jonny Nash (Melody As Truth) combine forces for an exploration into the sonic potential of the guitar duo, rooted in their experiences performing together over the last 12 months. Friends and admirers of each other’s work for a decade, their musical collaboration began in 2024 with Katsurada asking Nash to contribute guitar to his debut EP ‘Dream Of The Egg’. Sensing the need to explore this further, they spent the following year performing together in different configurations, with Nash joining Katsurada’s trio and Katsurada in turn playing with Nash as a duo, across a wide spectrum of spaces, from churches and temples to concert halls, theatres and outdoor festivals. With new ideas developing organically out of these performances, recording new material became the next logical step. A short period of three days was set aside with a clear goal: to capture the essence of their fluid, intertwining melodies and guitar playing in a way that felt as direct and unfiltered as possible. Working from a handful of pre-existing sketches, they left ample room for experimentation to unfold within the process. The results are presented on ‘At The Emerald Pool’, a collection of ten pieces that offer the listener a full immersion into the pair’s sound. With guitar as the primary instrument for both artists, it is no surprise that the core of the album lies here, specifically in the fluid interplay between the two players. Layers of gentle, delay-soaked fingerpicking often make it almost impossible to distinguish where one player ends and the other begins. As soloists, both Katsurada and Nash have a gift for crafting melodic lines that feel open and ascending, expressive and hopeful without becoming saccharine. Longer, more abstract pieces are counterbalanced by a series of shorter songs, with five vocal tracks appearing across the album. The decision to share vocal duties lends the record a unique quality and a strong sense of variation, bringing a wide expressive range out of a deliberately focused musical framework. ‘At The Emerald Pool’ represents the first chapter in an ongoing musical dialogue, an attempt to capture a moment of connection, openness and discovery, laying the foundation for what continues to unfold.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5Vy1w1uH2fE?si=BBiKQpzLIRg_GVd3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: 1. Stained Light 2. Anone None 3. Dwelling In A Cave 4. Know My Name 5. Sunshower Rite 6. Nagare Ni 7. Scent Of Limestone 8. The Emerald Pool 9. Black Leaf 10. Someday We?ll All Fall Down\u003c\/span\u003e\u003c\/p\u003e","brand":"Tomo Katsurada \u0026 Jonny Nash","offers":[{"title":"Default Title","offer_id":53122753986876,"sku":"MAT26\/FDR03","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/tomo-katsurada-jonny-nash-at-the-emerald-pool.jpg?v=1781104264"},{"product_id":"los-campesinos-hold-on-now-youngster-lp-cd","title":"Los Campesinos! - Hold On Now, Youngster - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eON RED\/ORANGE SPLATTER VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the first time ever, \u003c\/span\u003e\u003cstrong\u003eLos Campesinos!\u003c\/strong\u003e\u003cspan\u003e are proud to offer new pressings of their \u003c\/span\u003e\u003cstrong\u003efirst three studio albums\u003c\/strong\u003e\u003cspan\u003e on their very own record label; \u003c\/span\u003e\u003cstrong\u003eHeart Swells\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e2026 marks the 20th anniversary of LC!’s formation\u003c\/strong\u003e\u003cspan\u003e, and coincides with the band being more popular and relevant than ever before. The 3 albums are available for the first time since 2020, on brand new colour ways, on 12” vinyl and CD, with updated artwork and packaging.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cu\u003eTracklist\u003c\/u\u003e: \u003cbr\u003e1. Death to Los Campesinos!\u003cbr\u003e2. Broken Heartbeats Sound Like Breakbeats\u003cbr\u003e3. Don't Tell Me To Do the Math(s)\u003cbr\u003e4. Drop It Doe Eyes\u003cbr\u003e5. My Year In Lists\u003cbr\u003e6. Knee Deep at ATP\u003cbr\u003e7. This is How You Spell “HAHAHA, We Destroyed the Hopes and Dreams of a Generation of Faux Romantics”\u003cbr\u003e8. We Are All Accelerated Readers\u003cbr\u003e9. You! Me! Dancing!\u003cbr\u003e10. …And We Exhale And Roll Our Eyes In Unison\u003cbr\u003e11. Sweet Dreams, Sweet Cheeks\u003c\/span\u003e\u003c\/p\u003e","brand":"Los Campesinos!","offers":[{"title":"COLOURED VINYL","offer_id":53173374255420,"sku":"HS010LP","price":20.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53173374288188,"sku":"HS010CD","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/los-campesinos-hold-on-now-youngster.jpg?v=1782918481"},{"product_id":"los-campesinos-we-are-beautiful-we-are-doomed-lp-cd","title":"Los Campesinos! - We Are Beautiful, We Are Doomed - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eON TRANSPARENT BATHWATER VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the first time ever, \u003c\/span\u003e\u003cstrong\u003eLos Campesinos!\u003c\/strong\u003e\u003cspan\u003e are proud to offer new pressings of their \u003c\/span\u003e\u003cstrong\u003efirst three studio albums\u003c\/strong\u003e\u003cspan\u003e on their very own record label; \u003c\/span\u003e\u003cstrong\u003eHeart Swells\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e2026 marks the 20th anniversary of LC!’s formation\u003c\/strong\u003e\u003cspan\u003e, and coincides with the band being more popular and relevant than ever before. The 3 albums are available for the first time since 2020, on brand new colour ways, on 12” vinyl and CD, with updated artwork and packaging.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Ways To Make It Through The Wall\u003cbr\u003e2. Miserabilia\u003cbr\u003e3. We Are Beautiful, We Are Doomed\u003cbr\u003e4. Between An Erupting Earth And An Exploding Sky\u003cbr\u003e5. You'll Need Those Fingers For Crossing\u003cbr\u003e6. It's Never That Easy Though, Is It? (Song For The Other Kurt)\u003cbr\u003e7. The End Of The Asterisk\u003cbr\u003e8. Documented Minor Emotional Breakdown # 1\u003cbr\u003e9. Heart Swells\/Pacific Daylight Time\u003cbr\u003e10. All Your Kayfabe Friends\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Los Campesinos!","offers":[{"title":"COLOURED VINYL","offer_id":53173395226940,"sku":"HS011LP","price":20.49,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53173395259708,"sku":"HS011CD","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/los-campesinos-we-are-beautiful-we-are-doomed.jpg?v=1782918976"},{"product_id":"los-campesinos-romance-is-boring-2lp-cd","title":"Los Campesinos! - Romance Is Boring - 2LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eON 'BRUISE SO BLACK' MARBLE VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the first time ever, \u003cstrong\u003eLos Campesinos! \u003c\/strong\u003eare proud to offer new pressings of their \u003cstrong\u003efirst three studio albums\u003c\/strong\u003e on their very own record label; \u003cstrong\u003eHeart Swells\u003c\/strong\u003e.\u003cbr\u003e\u003cstrong\u003e2026 marks the 20th anniversary of LC!’s formation\u003c\/strong\u003e, and coincides with the band being more popular and relevant than ever before. The 3 albums are available for the first time since 2020, on brand new colour ways, on 12” vinyl and CD, with updated artwork and packaging.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. In Medias Res\u003cbr\u003e2. There Are Listed Buildings\u003cbr\u003e3. Romance Is Boring\u003cbr\u003e4. We’ve Got Your Back (Documented Minor Emotional Breakdown #2)\u003cbr\u003e5. Plan A\u003cbr\u003e6. 200-102\u003cbr\u003e7. Straight In At 101\u003cbr\u003e8. Who Fell Asleep In\u003cbr\u003e9. I Warned You: Do Not Make An Enemy Of Me\u003cbr\u003e10. Heart Swells\/100-1\u003cbr\u003e11. I Just Sighed. I Just Sighed, Just So You Know\u003cbr\u003e12. A Heat Rash In The Shape Of The Show Me State; or, Letters From Me To Charlotte\u003cbr\u003e13.  The Sea Is A Good Place To Think Of The Future\u003cbr\u003e14. This Is A Flag. There Is No Wind\u003cbr\u003e15. Coda: A Burn Scar In The Shape Of The Sooner State\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Los Campesinos!","offers":[{"title":"COLOURED VINYL","offer_id":53173406466364,"sku":"HS012LP","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53173406499132,"sku":"HS012CD","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/los-campesinos-romance-is-boring.jpg?v=1782919454"}],"url":"https:\/\/www.arcade-sound.com\/de\/collections\/albums-of-the-year-so-far-2026.oembed?page=2","provider":"Arcade Sound","version":"1.0","type":"link"}