{"title":"Available Now","description":"","products":[{"product_id":"fuzz-ii-lp-cd","title":"Fuzz - II - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003cbr\u003e1. Time Collapse \/ The 7th Terror\u003cbr\u003e2. Rat Race\u003cbr\u003e3. Let It Live\u003cbr\u003e4. Pollinate\u003cbr\u003e5. Bringer of Light\u003cbr\u003e6. Pipe\u003cbr\u003e7. Say Hello\u003cbr\u003e8. Burning Wreath\u003cbr\u003e9. Red Flag\u003cbr\u003e10. Jack the Maggot\u003cbr\u003e11. New Flesh\u003cbr\u003e12. Sleestak\u003cbr\u003e13. Silent Sits the Dustbowl\u003cbr\u003e14. II\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFuzz has abandonment issues. Abandoning expectation. Abandoning reservation, consummation, resignation and trite dictation. Instinct is all there is when it comes to the divination of harsh salvation. Segall, Moothart and Ubovich are exploring all the blank-ations of what will be, or has always been, Fuzz II. Tried and true methods mixed with tongue-twisting, teeth-shattering, seizure-inducing stabs at the norm. Who knows… maybe that’s wrong. Maybe it’s all done. Played out. Maybe it’s not for want of new but for lack of old. But probably not. Bathe in the heat wave that is Fuzz, and regret nothing in the time freeze. Necessity is the mother of creation; and devolution stakes its claim in the past as it continues to bind itself to the future. San Francisco, Los Angeles, heaven, hell, lunar fields, subterranean hallucinations, traffic jams, sleepless days, hazy nights, recollection or blind reflection. It is all there and so should be you. 2015 and 2016 will bring a new surge of slime, fuzz and otherwise bittersweet concoctions of earthly lettering. It will be heavy, chaotically controlled, softly serpentine and blindingly barbaric. To translate the auditory from ethereal to saliva- soaked semantics is to shatter a promise as it’s made. In the meantime, Ty, Charles and Chad walk on. It is what it is. Just like everything else. And if you don’t know, now you know.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis message brought to you by In The Red Educational Services… as it was before and is it will be again.\u003cbr\u003e\u003c\/p\u003e","brand":"Fuzz","offers":[{"title":"SILVER DOUBLE VINYL","offer_id":47910311100732,"sku":"ITR286X","price":44.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":9297997955,"sku":"ITR286CD","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/products\/FUZZ_II.jpg?v=1445356031"},{"product_id":"la-luz-its-alive-lp-cd","title":"La Luz - It's Alive - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003eRED VINYL 2025 REPRESS!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn Spanish, La Luz means “light” and that’s the perfect thing to evoke when your songs give the illusion of veering in the opposite direction. But lift out most any lyric—which is a good excuse to give a closer listen to the delicate, four-part harmonies that are fast becoming the band’s signature—and you’ll find that the aches and pains of love and loss, of living in a world where no foothold is ever a promise—all this is delivered with a nuanced dose of perfectly timed exhilaration, like the whole thing might just be worth it in the end. It's Alive is the debut LP from Seattle's La Luz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4l0SpTfX1s4?si=WnJuSKbvaemvK_Mz\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist: 1. Sure As Spring 2. All The Time 3. Morning High 4. What Good Am I? 5. Sunstroke 6. It’s Alive 7. Big Big Blood 8. Call Me In The Day 9. Pink Slime 10. 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Here he invites friends old and new to rework the tracks from Convenanza in their own style.\u003c\/p\u003e\n\u003cp\u003eOn board are redoubtable musical architects such as David Holmes (under his new ‘Unloved’ guise), Justin Robertson (wearing his ‘Deadstock 33s’ hat) and the legendary Bernard Fevre of Black Devil Disco Club notoriety.\u003c\/p\u003e\n\u003cp\u003eLeading the charge by the new guard are Heretic, Red Axes, Solar Bears and Vox Low whose tracks have twisted into existence a quiet storm on \u003cspan class=\"caps\"\u003eALFOS\u003c\/span\u003e nights.\u003c\/p\u003e\n\u003cp\u003ePraise for ‘Convenanza’:\u003c\/p\u003e\n\u003cp\u003eDJ Mag – 8.5\/10 – “’Convenanza’ might just be his most accomplished LP yet.”\u003cbr\u003eQ – 4\/5 – “a mighty tasty spread.”\u003cbr\u003eXLR8R – 8\/10 – “a seamless blend of live drums and bass, electronics and scuzz, atmosphere and intrigue… it just sounds like Weatherall.”\u003cbr\u003eGroove – “a great success”\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003e01) We Count The Stars (Unloved Remix) ***\u003cbr\u003e02) The Confidence Man (Justin Robertson’s Deadstock 33s Remix) ***\u003cbr\u003e03) Frankfurt Advice (Red Axes Remix) ***\u003cbr\u003e04) The Last Walk (Vox Low Riding The White Horse Version)\u003cbr\u003e05) Disappear (Duncan Gray Remix) ***\u003cbr\u003e06) Thirteenth Night (Timothy J Fairplay Remix) ***\u003cbr\u003e07) The Confidence Man (Sons Of Slough Remix)\u003cbr\u003e08) Frankfurt Advice (Heretic Remix) ***\u003cbr\u003e09) Kicking The River (Solar Bears Remix)\u003cbr\u003e10) The Last Walk (Black Devil Disco Club Rework)\u003cbr\u003e11) Ghosts Again (Scott Fraser Vocal Dub)\u003c\/p\u003e","brand":"Andrew Weatherall","offers":[{"title":"CD","offer_id":28405763523,"sku":"RGCCD023","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/products\/andrewweatherall-consolamentumcover300dpi.jpg?v=1474284766"},{"product_id":"dion-lunadon-self-titled-lp-pre-order","title":"Dion Lunadon - Dion Lunadon - LP","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CSvioltVjCk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLIMITED CLEAR VINYL REPRESS (2026)\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2026 vinyl repress of \u003cspan data-markjs=\"true\" class=\"mark9e2c3b336\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\"\u003eDion\u003c\/span\u003e Lunadon's (of A Place To Bury Strangers \/ The D4) debut solo album, on Agitated Record. \u003cbr\u003e\u003cbr\u003eThe album was recorded over a three-month period in Brooklyn, NY and features Robi Gonzalez (APTBS) on drums and Blaze Bateh from Bambara on select tracks including 'Fire'. \"With 'Fire' I wanted wild and heavy guitars with heavy sentiment in the first vocal line to match. 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What resulted is quite a jump away from his work in APTBS and draws more influence from bands like Toy Love and The Gun Club, as well as New Zealand unknowns such as Gestalt and Supercar.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01. Insurance, Rent And Taxes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Reduction Agent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Fire\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Com\/Broke\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Hanging By A Thread\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Move\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07. Eliminator\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08. Howl\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09. Ripper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. White Fence\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. No Control\u003c\/span\u003e\u003c\/p\u003e","brand":"Dion Lunadon","offers":[{"title":"Limited Clear Vinyl LP","offer_id":42507210031289,"sku":"AGIT044RP3","price":23.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/dion-lunadon-dion.jpg?v=1771432767"},{"product_id":"elder-refllections-of-floating-world-2lp-cd","title":"Elder - Reflections of a Floating World - 2LP \/ CD","description":"\u003cp\u003e\u003cstrong\u003eON RED COLOURED VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YZ-UhptGOa8\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eBand members and friends Nick DiSalvo, Jack Donovan and Matt Coutoalready dismissed any last remains of stoner metal stereotypes on Lore (2015).\u003cbr\u003eTheir current album, which was written following the long and acclaimed Lore tour in moments of intense creativity, is a journey into prog rock and psychedelic worlds. Six monumental songs, huge in sound, each of them their own cosmic expedition. What\u003cbr\u003ebegins as driving mid-tempo rock filled with heavy guitar riffs repeatedly erupts into melodic tangents and clever variations. The high demands that DiSalvo places on his own songwriting seem to become more unfettered from minute to minute – as does the\u003cbr\u003epleasure of listening to him. Guest musicians Michael Samos and Mike Risberg have added additional guitars, pedal steel and keyboards to the trio, making Elder’s\u003cbr\u003esound more voluminous than ever, and the influences found here range from 70s prog dinosaurs such as Yes, King Crimson or Pink Floyd to their kindred spirits Motorpsycho or legendary 90’s band, the God Machine. And it is of course a cliché, but Elder bring their own organism to life from all these influences.\u003cbr\u003e\u003cbr\u003eElder already strike out on their chosen path on the album opener “Sanctuary”. What begins as a trademark stoner song turns on its own axis several times at minute four, morphing into lyrical polyphonic pickings and using a Mellotron to sweet-talk its way to\u003cbr\u003ean unfathomable and brutal finale. “The Falling Veil” moves between Thin Lizzy with palpitations and Motorpsycho (era “Heavy Metal Fruit”). Those who think of Kyuss during “Staving off Truth” won’t be able to hold that thought the entire 11 minutes of the song.\u003cbr\u003e\u003cbr\u003eAnd as hymn-like as the riffs can be, the band never settles down to one part for longer than two minutes. But at the same time, the songs never lose their coherence, because all parts are logically woven into one another. And it could be that “Sonntag”, a detour into the Krautrock motor functions of Neu!, most clearly shows the limitless cosmic ambitions of Elder.\u003cbr\u003e\u003cbr\u003eThis album is of epic proportions and fans of\u003cbr\u003ethe likes of Russian Circles, Ocean Size, 65 Days of Static, Kyuss, the aforementioned Motorpsycho and The God Machine will find much to love here.\u003c\/p\u003e\n\u003ch2\u003eTracks:\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e01. Sanctuary\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. The Falling Veil\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Staving Off Truth\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Blind\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Sonntag\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Thousand Hands\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Elder","offers":[{"title":"RED 2XLP","offer_id":41522373070,"sku":"PSYCHOBABBLE091LP","price":34.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":41522373134,"sku":"PSYCHOBABBLE091CD","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/products\/Elder-Reflections-of-a-Floating-World.jpg?v=1495454508"},{"product_id":"lipstick-killers-strange-flash-studio-live-78-81","title":"Lipstick Killers - Strange Flash (Studio \u0026 Live '78-81) - 2LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e**LTD RED VINYL** \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHIGH ENERGY GARAGE-PSYCH(O)-PUNK FROM SYDNEY’S STOOGES-INSPIRED UNDERGROUND!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1025804329\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Forte Distro\" href=\"https:\/\/soundcloud.com\/forte-distro\" target=\"_blank\"\u003eForte Distro\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Hindu Gods of Love (orig. 45 version)\" href=\"https:\/\/soundcloud.com\/forte-distro\/hindu-gods-of-love-orig-45\" target=\"_blank\"\u003eHindu Gods of Love (orig. 45 version)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eALL THEIR LEGENDARY RECORDINGS, PLUS LOADS OF UNRELEASED STUFF!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“The Lipstick Killers were easily one of the greatest live bands I've witnessed in my 65 yrs. on this planet” – Keith Morris (Black Flag\/Circle Jerks\/Off!!)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHINDU GODS ARE CALLING YOU!!! Grown Up Wrong! Records is thrilled beyond belief to present the LONG-AWAITED anthology of material by the legendary Lipstick Killers, who blazed a trail in late ‘70s post-Radio Birdman Sydney before gigging with the likes of the Gun Club and the Flesh Eaters in Los Angeles where they crashed and burned in 1981.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Lipstick Killers released just one single in their life time – the perfect ’79 Deniz Tek-produced pairing of “Hindu Gods of Love” and ”Shakedown USA” on their own Lost in Space Records and Greg Shaw’s Voxx Records - but a posthumous live album and a couple of archival releases followed. It was all incredible. All that material is included here, as is a plethora of additional stuff, all from the best-available sources (mostly original tapes).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Lipstick Killers’ enigmatic and high-energy sound – heavily inspired by the Stooges and the ‘60s psychedelic punk sounds of bands like the Thirteenth Floor Elevators and the Chocolate Watchband – bridged the gap between Radio Birdman and subsequent Sydney groups like the Sunnyboys (whose first-ever show was opening for the Lipstick Killers), Lime Spiders, Hoodoo Gurus, the Screaming Tribesmen and the Psychotic Turnbuckles. And of course they anticipated generation after generation of other bands with similar things in mind, right up to today’s ‘60s-inspired freaks like The Straight Arrows, The Living Eyes and Thee Oh Sees. \u003c\/span\u003e\u003c\/p\u003e","brand":"Lipstick Killers","offers":[{"title":"2LP (RED VINYL)","offer_id":42562429124793,"sku":"GUWDM009R","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/products\/lipstick-killers-strange-flash-studio-live-7881.jpg?v=1706711698"},{"product_id":"bikini-kill-s-t-limited-edition-30th-anniversary-edition-on-pink-vinyl","title":"Bikini Kill - Bikini Kill","description":"\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1. Double Dare Ya\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Liar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Carnival\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Suck My Left One\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Feels Blind\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Thurston Hearts the Who\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is the 30th anniversary reissue of Bikini Kill's debut 12-inch EP. Originally released in the fall of 1992, Bikini Kill comprises four songs recorded by Ian MacKaye at Inner Ear Studios; one song from the band's 1991 demo cassette, record by Pat Maley (Yo-Yo Studios); and one song recorded during Bikini Kill's live performance on April 4th, 1992, at Washington, DC's Sanctuary Theater. The vinyl reissue includes a new fanzine in the form of a 34-inch by 21-inch poster featuring interviews with MacKaye and Molly Neuman (Bratmobile), liner notes by Layla Gibbon (Skinned Teen, MRR), excerpts from the band members' zines (Bikini Kill #1 and #2, Jigsaw #4), and rare photos from the band members' personal archives. Bikini Kill was a feminist punk band that was based in Olympia, WA, and Washington, DC, forming in 1990 and breaking up in 1997. Kathleen Hanna sang, Tobi Vail played drums, Billy Karren (a.k.a. Billy Boredom) played guitar and Kathi Wilcox played bass. Bikini Kill is credited with instigating the Riot Grrrl movement in the early '90s via their political lyrics, zines and confrontational live performances. The self-titled EP marks the beginning of a larger campaign to release the complete Bikini Kill catalog, including previously unreleased material, on vinyl and CD.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003c\/h2\u003e","brand":"Bikini Kill","offers":[{"title":"Ltd. 30th Anniversary Pink LP","offer_id":48042778657084,"sku":"BK002LP-P","price":27.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/BK02.jpg?v=1700663073"},{"product_id":"cindy-lee-model-express","title":"Cindy Lee - Model Express - LP","description":"\u003cp class=\"text-600\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEXPECTED RELEASE DATE: 31ST OCTOBER 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-600\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBLACK VINYL REPRESS!!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"text-600\" data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Joygu4IhfUk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eCindy Lee, the performance and songwriting vehicle of Canadian artist Patrick Flegel (who fronted influential indie group Women earlier), previously stunned listeners with Act Of Tenderness, a heart-wrenching statement informed by the noirish core of celebrity, and has continued to enchant with every album, including the startling What’s Tonight To Eternity released earlier this year. Model Express originally appeared as a self-released edition of 100 gold cassettes. The arch, filmic drama of Cindy Lee’s songwriting—realized with keyboards, guitars, aching voice and collaged, lo-fi production—traverses a wide range of emotional and sonic terrain. The red velvet psych-pop of “What Can I Do” gives way to the fluid “Diamond Ring” like radio bursts from space. Model Express finds Flegel at both their most experimental and immediately melodic, and this first-time vinyl release recognizes the collected tracks as a pillar in the Cindy Lee catalogue. Cindy Lee (who uses the gender neutral pronoun they) is a drag persona drawing on suburban closet queens and mid-century divas. In keeping with Flegel’s interest in the faultlines of identity, gender expression, performance and media, Model Express delivers an intense and diverse set of unforgettable songs.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e1. Kromax (Theme from Kromax\u003cbr\u003eAKA Real State)\u003cbr\u003e2. A Cold Fog Is Still Descending\u003cbr\u003e(KCP Sound Collage)\u003cbr\u003e3. Model Express\u003cbr\u003e4. Who You Want I?ll Be\u003cbr\u003e5. What Can I Do\u003cbr\u003e6. What I Need (Alternate Version)\u003cbr\u003e7. Dry Dive 8. Burning Candle\u003cbr\u003e9. Left Hand Path\u003cbr\u003e10. Are You Lonesome Tonight?\u003cbr\u003e11. Don?t Let Me Down\u003cbr\u003e12. Diamond Ring\u003cbr\u003e13. Be My Shining Star (Instrumental)\u003c\/p\u003e","brand":"Cindy Lee","offers":[{"title":"Default Title","offer_id":43733048033596,"sku":"W25-09","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/products\/W25-09.jpg?v=1668009102"},{"product_id":"galaxie-500-this-is-our-music-lp","title":"Galaxie 500 - This is our Music - LP","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eESTIMATED SHIPPING TIME: 2-3 WEEKS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eAfter producing two albums celebrated by a thirsty underground network of fans, Galaxie 500 released what turned out to be their unexpected swansong, This Is Our Music. The title is an intentionally declarative statement. After being labeled masters of the disengaged and forlorn, Damon Krukowsi, Dean Wareham, and Naomi Yang delivered a full-length comprised of their most stately material.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eHere, one can hear potential realized, as well as changes afoot. \"Fourth of July\" is a surprisingly up-front song for the band, with rolling drums and a bass-heavy refrain, and it proved to be their most popular single. The track sets the stage for the dynamism of This Is Our Music. When Galaxie 500 sounds wistful (\"Summertime\"), it sounds like years of yearning actualized; when the band sounds regretful (\"Sorry\"), it comes pleading on its knees. The trio found a beautiful balance between increased production values and knob-twiddler Mark Kramer's oddhanded approach.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eFor the first time since its original pressing, This Is Our Music is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/43XkRJArROE\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e1. Fourth of July\u003cbr\u003e2. Hearing Voices\u003cbr\u003e3. Spook\u003cbr\u003e4. Summertime\u003cbr\u003e5. Way Up High\u003cbr\u003e6. Listen, The Snow Is Falling\u003cbr\u003e7. Sorry\u003cbr\u003e8. Melt Away\u003cbr\u003e9. King Of Spain, Part Two\u003c\/p\u003e","brand":"Galaxie 500","offers":[{"title":"Default Title","offer_id":43736238195004,"sku":"202020.09","price":30.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/galaxie-500-this-is-our-music_fd58c4a6-061e-429f-a7b1-ef2cacda0a03.jpg?v=1720698146"},{"product_id":"galaxie-500-today-lp","title":"Galaxie 500 - Today - LP","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eESTIMATED SHIPPING TIME: 2-3 WEEKS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhen Galaxie 500's Today was released in 1988, it set off a chain reaction of quiet explosions still being felt. Never before had a record so emphasized the calming elements of rock music, transforming what at first seems like a collection of bridges into fully realized songs. And one can draw a straight line from here to the many groups they influenced, like Low, Belle \u0026amp; Sebastian, and Bon Iver.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eToday is full of idiosyncrasies. The trio of Damon Krukowski, Dean Wareham, and Naomi Yang were recent Harvard grads who intuitively eliminated any histrionic tradition to rock songs, leaving core emotion (not for nothing did they include a cover of \"Don't Let Our Youth Go to Waste,\" by the kings of feeling, The Modern Lovers). It was produced by Mark Kramer, who was best known for his work with cataclysmic slop rock pioneers such as Bongwater, Ween, and King Missle.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eThe band's hometown of Boston was just coming out of its love affair with Mission of Burma and pouncing upon the spasmodic electricity of The Pixies. Despite, or perhaps because of, all these elements, Today thrived. More than 20 years after its initial release, its title is still no misnomer. The music, recorded with what many thought at the time was too much reverb, sounds present, alive, and indeed a product of today. Songs like \"Flowers,\" \"Temperature's Rising,\" and of course \"Tugboat\" (the band's debut single) stand the test of time and exist in an eternal now. For the first time since its original pressing, Today is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FUFWkuMY6xM\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e1. Flowers\u003cbr\u003e2. Pictures\u003cbr\u003e3. Parking Lot\u003cbr\u003e4. Dont Let Our Youth Go to Waste\u003cbr\u003e5. Temperatures Rising\u003cbr\u003e6. Oblivious\u003cbr\u003e7. It's Getting Late\u003cbr\u003e8. Instrumental\u003cbr\u003e9. Tugboat\u003c\/p\u003e","brand":"Galaxie 500","offers":[{"title":"Default Title","offer_id":43736238522684,"sku":"202020.07","price":30.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/galaxie-500-today_bca38e78-9fca-42b7-a308-f7564c07caf6.jpg?v=1720698174"},{"product_id":"galaxie-500-on-fire-lp","title":"Galaxie 500 - On Fire - LP","description":"\u003cp class=\"text-600\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eESTIMATED SHIPPING TIME: 2-3 WEEKS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e\u003cstrong\u003eON LIMITED TRANSPARENT ORANGE VINYL EDITION \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eOn Fire is widely recognized as the canonic pinnacle of Galaxie 500's career. The artwork conveys this, with a low-angle shot of the band, looking up towards an amber sky. This record marked the realization of their signature sound. Nowhere is it clearer than on the album opener, \"Blue Thunder,\" the closest a song can come to waves crashing on a beach in song form. Lyrically inconsequential, with a chorus composed entirely of \"la\"s, the track's power lies in a systematic build and break of intensity that reaches a Spector-like climax. It is the quintessential Galaxie 500 song, encapsulating all that was great about the band.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eWith the Boston trio once again utilizing the bizarre genius of producer Mark Kramer, On Fire sounds like anything but. The guitars are warm blankets enwrapping Dean Wareham's vocals, percolated by the open percussion of Damon Krukowski and anchored by the emotion-laden bass of Naomi Yang. Songs like \"Snowstorm,\" \"Strange,\" and \"Decomposing Trees\" have an endless quality, without beginnings or ends, but rather frozen somewhere on a spectrum of melancholy.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eFor the first time since its original pressing, On Fire is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e1. Blue Thunder\u003cbr\u003e2. Tell Me\u003cbr\u003e3. Snowstorm\u003cbr\u003e4. Strange\u003cbr\u003e5. When Will You Come Home\u003cbr\u003e6. Decomposing Trees\u003cbr\u003e7. Another Day\u003cbr\u003e8. Leave the Planet\u003cbr\u003e9. Plastic Bird\u003cbr\u003e10. Isn't It a Pity\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nsFtmGyigoo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Galaxie 500","offers":[{"title":"Default Title","offer_id":43736255529276,"sku":"202020.08","price":30.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/galaxie-500-on-fire.jpg?v=1707300252"},{"product_id":"john-fizer-treasure-man-lp","title":"John Fizer - Treasure Man - LP","description":"\u003cp data-mce-fragment=\"1\" class=\"text-600\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/eOcOVGs3f8I\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"text-600\"\u003eBarely saved from obscurity by a series of chance events, John Fizer’s only recorded album Treasure Man will finally see the light of day. Forty-five years in the making, while for the last twenty-nine years Fizer has been “living rough” couch surfing, sleeping in play structures, friend’s backyards and more recently his old Volvo station wagon. Fizer is currently residing in a nursing facility in Northern California. Below is the story of how this never before heard album came to Scissor Tail’s attention. “I used to walk my daughter to school and passed the original Peet’s coffee every day. Across the street was Berkeley’s beloved John ‘Treasure Man’ Fizer playing chess, doing crosswords and waiting next to the treasure tree which he had filled with gemstones and various magical trinkets. To this day any child passing by is welcome to choose a treasure. Over many stops with my daughter I got to know John, a fountain of love, intelligence and humor and as quirky and feisty as can be. We became friends. Eventually he showed me a few old cassettes of cassettes of cassettes in poor condition of him performing and asked if I could make them sound better. I agreed to take a listen. Such amazing songs! “So I proceeded to remaster the cassettes while continuing to ask John at least four times over several months if he had the original master studio recordings. The answer was always no. About the time I finally had his cassette sourced recordings sounding as good as they could be and he popped up with a 15 inches per second 1\/4’ half track, state of the art analog master reel-to-reel recorded at the legendary Mountain Ears recording studio in 1977 with some very fine studio musicians including Ray Bonneville, Brad ‘Honeyboy’ Hayes, Erik ‘Bobo’ Johnson and Brian ‘Sluggo’ Brown. John had found the original reel! “It had been residing for decades in the bowels of John’s old 1980 Volvo station wagon, which also serves as his home, and was covered in strangely beautiful mold but that was the day I knew the world would hear John’s music the way it was meant to be be...big, fat, analog. The next few years were spent cleaning and remastering the album with some of the worlds finest restoration specialists.” – James Johnson (producer\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"text-600\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\" class=\"mt-4\"\u003eTracks\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\" class=\"text-600\"\u003e1. Lady Lying Lovely\u003cbr data-mce-fragment=\"1\"\u003e2. Good Morning Glory\u003cbr data-mce-fragment=\"1\"\u003e3. Moonlight On My Window Sill\u003cbr data-mce-fragment=\"1\"\u003e4. I Call For You\u003cbr data-mce-fragment=\"1\"\u003e5. Sleeping Goddess\u003cbr data-mce-fragment=\"1\"\u003e6. Give It All You Got\u003cbr data-mce-fragment=\"1\"\u003e7. Tibetan Bells\u003cbr data-mce-fragment=\"1\"\u003e8. The Web\u003cbr data-mce-fragment=\"1\"\u003e9. Outside The Pale\u003cbr data-mce-fragment=\"1\"\u003e10. Trainsong\u003cbr data-mce-fragment=\"1\"\u003e11. Think On These Things\u003cbr data-mce-fragment=\"1\"\u003e12. Send Out Love\u003c\/p\u003e","brand":"John Fizer","offers":[{"title":"Default Title","offer_id":44168308359484,"sku":"SCTR059","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/john-fizer-treasure-man-vinyl.jpg?v=1769592616"},{"product_id":"miranda-the-beat-miranda-the-beat-col-lp","title":"Miranda \u0026 The Beat - Miranda \u0026 The Beat - Col. LP","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003e01. SWEAT\u003cbr\u003e02. OUT OF MY HEAD \u003cbr\u003e03. CONCRETE \u003cbr\u003e04. I'M NOT YOUR BABY \u003cbr\u003e05. NOT MY GUY \u003cbr\u003e06. ODR \u003cbr\u003e07. WHEN ARE YOU COMING HOME \u003cbr\u003e08. TOO AFRAID \u003cbr\u003e09. LET YOU GO \u003cbr\u003e10. DON'T FEEL THE SAME\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eKhannibalism\u003cbr\u003e\u003cstrong\u003e\u003cstrong\u003eCat No: \u003c\/strong\u003e\u003c\/strong\u003eEJRCKK207\u003cstrong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003eReleased: \u003c\/strong\u003eJuly 14th 2023\u003c\/p\u003e\n\u003cp\u003eDebut LP from NYC Garage Rockers\u003c\/p\u003e\n\u003cp\u003eProduced by Nick Zinner (\u003cstrong\u003eYeah Yeah Yeahs!)\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eMiranda and The Beat are a Rock and Roll band, with all that the term might entail. Drawing from the traditional rock music, as performed by the likes of The Dirt Bombs, The B-52's, MC5, and Ronnie Spector, Miranda and The Beat operate from a clear eyed appreciation of the greats and a healthy, barn-burning disregard for tropes or traditionalist limitations. Garage, soul, punk, classic rock_ pick your poison; the band has plenty to spare. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArriving in New York City in 2018, the band have, through songwriting and performance, proved themselves to be both an essential spark and spearhead to a scene of new blood rockers bringing a much needed renewal of energy to the New York City (garage, rock, whatever) scene. Originally a duo of 21 year old guitarist\/vocalist Miranda Zipse and 21 year old drummer Kim \"The Beat\" Sollecito, the pair quickly added a full band of Kate Gutwald on bass and Dylan Fernadez on organ and soon became known for their tireless, wheel-on-fire live sets driven by Miranda's captivating stage presence, vocal prowess, and her pyrotechnic (but never indulgent!), melodically slashing guitar work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTheir live reputation (and a reputation for being neither pushovers nor scumbags) led to collaborations with such childhood idols as The Mystery Lights and Nick Zinner of the Yeah Yeah Yeahs. Soon there was the release of their 7\" single \u003cem\u003eSuch A Fool\u003c\/em\u003e, on Jack White's \u003cstrong\u003eThird Man Records\u003c\/strong\u003e and an extensive North American tour supporting \u003cstrong\u003eThe King Khan and BBQ show\u003c\/strong\u003e. One pandemic later, between days\/nights spent sweating out piss, vinegar, and trackloads of tears in the studio, and a rigorous, borderline ridiculous, rehearsal schedule, Miranda and The Beat are, at this juncture, practically monstrous in both sound and vision, and ready to meet the world.\u003c\/span\u003e\u003c\/p\u003e","brand":"Miranda \u0026 The Beat","offers":[{"title":"Default Title","offer_id":45623084712252,"sku":"EJRCKK 207","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/a2839039349_10.jpg?v=1688648181"},{"product_id":"public-interest-spiritual-pollution-lp","title":"Public Interest - Spiritual Pollution - LP","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. Undone\u003cbr data-mce-fragment=\"1\"\u003e02. Why Bother?\u003cbr data-mce-fragment=\"1\"\u003e03. Residue\u003cbr data-mce-fragment=\"1\"\u003e04. Slow Burn\u003cbr data-mce-fragment=\"1\"\u003e05. Falling Ash\u003cbr data-mce-fragment=\"1\"\u003e06. Final Product\u003cbr data-mce-fragment=\"1\"\u003e07. Spiritual Pollution\u003cbr data-mce-fragment=\"1\"\u003e08. Burden Of Time\u003c\/p\u003e\n\u003cp\u003ePUBLIC INTEREST can do no wrong in our eyes and they held the door open for you again. This LP is even denser and fuller than their previous Between 12\". If you like dark post-punk, you might like this, as much as we do. Synthy post-punk that surprises with every track. ETT is proud to bring the 2nd vinyl from this project out of Oakland featuring (or maybe even consisting entirely of?) a member of Marbled Eye. Marbled Eye’s recent recordings showcased their ability to write catchy post-punk tunes and this 8-song LP from Public Interest is the same level. While you’ll hear plenty of those memorable guitar lines that made the Marbled Eye tracks so great, the songs here feel snappier, more concerned with generating a pop-inspired forward momentum than stretching things out and floating in mid-air. The angular synth lines and mechanical rhythms are a nice counterpoint to those fluid guitar lines, imbuing Between with an irresistible tension. This is utterly brilliant. I don't have a favourite track because this record is just good and coherent in its integrity. Guitars sound ace, drums and bass are on point and the vocals give some pop shades that are never annoying. Really great enjoyable LP.\u003cbr\u003e\u003c\/p\u003e","brand":"Public Interest","offers":[{"title":"Default Title","offer_id":45872561684796,"sku":"ETT-104LP","price":23.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/ETT104.jpg?v=1689947336"},{"product_id":"c-o-f-f-i-n-children-of-finland-fighting-in-norway-lp","title":"C.O.F.F.I.N - Children of Finland Fighting in Norway - LP","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003e1. Fast Love\u003cbr data-mce-fragment=\"1\"\u003e2. Plans For You\u003cbr data-mce-fragment=\"1\"\u003e3. People And Their Stories\u003cbr data-mce-fragment=\"1\"\u003e4. (Out) On Bail\u003cbr data-mce-fragment=\"1\"\u003e5. Sydney Kings\u003cbr data-mce-fragment=\"1\"\u003e6. Ransack Blues\u003cbr data-mce-fragment=\"1\"\u003e7. Cecelia \u003cbr data-mce-fragment=\"1\"\u003e8. Dead Land\u003cbr data-mce-fragment=\"1\"\u003e9. Cum In The Streets\u003cbr data-mce-fragment=\"1\"\u003e10. Average Death\u003cbr data-mce-fragment=\"1\"\u003e11. Headland\u003cbr data-mce-fragment=\"1\"\u003e12. Playin Dead\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChildren Of Finland Fighting In Norway aka C.O.F.F.I.N is an Australian punk band who have accepted the mental of their nation’s long legacy of greasy-haired, outback-scrounging, garage rock rumblers, blowing out eardrums and amps one stage at a time, while chiseling their name below those of Radio Birdman and The Hard-Ons in petrol station bathroom stalls across New South Wales and beyond. C.O.F.F.I.N’s brought their sweaty, slug-trailed tunes and cracked cavalcade on the road in the UK \/ EU last year, while on tour with Amyl and the Sniffers. This latest self-titled album from C.O.F.F.I.N’s is their fourth LP overall and retains a lot of the attitude from their previous releases. It unleashes a raging rip of rock fury that blazes like a wildfire, kept alive and deadly by the bellow-like thump and growl of drummer and vocalist Ben Portnoy whirlwind conjuring percussion and libido-pumping leads and grooves of the band’s three guitarists, Abijah Rado, Arthur Flanders, and Aaron Moss.\u003c\/span\u003e\u003c\/p\u003e","brand":"COFFIN","offers":[{"title":"Default Title","offer_id":45872790831420,"sku":"ETT089","price":23.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/ett089.jpg?v=1689949239"},{"product_id":"catatonic-suns-s-t","title":"Catatonic Suns - Catatonic Suns - LP\/CD","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eON LTD \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eNEON ORANGE VINYL\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCatatonic Suns is Patrick Shields (guitar, vocals) , Jakob Christman (bass) and Caleb Strobl (drums) Catatonic Suns new album sees them blend the underground psychedelia of the late 80s \/ early 90s Pacific Northwest with the shimmering shoegazery of Britain from the same time. Heavy and soft guitars, songs that soar, these new recordings verge on the epic. For fans of The Verve (early), Screaming Trees, Truly, Ride, Slowdive, Alice In Chains. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePennsylvanian threepiece Catatonic Suns release their brand new album via Agitated records this autumn (Fall if you reside in the US), Patrick and Jake have known each other since birth, obsessing on punk rock, but the band actually formed in 2019. Vocalist \/ guitarist Patrick and fellow guitarist Llambro Llaguri began creating homemade psychedelic psychedelic 4 track cassette demos during the Winter of 2015, taking heavy inspiration from an eclectic mix of acts ranging from Ween to R.E.M. As these early songs were created, the duo sought other like minded individuals in their hometown of Allentown, PA to take these primitive demos to the next level. It was then that Patrick recruited another childhood friend, Jakob Christman, to fill the role of bass along with another mutual friend Caleb Strobl completing the rhythm section of Catatonic Suns. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2019, the group put out their first release, the Catatonic Suns demo, a collection of lo-fi recordings made by Patrick over the years. During this period, the band began to make a name for itself by playing shows across eastern Pennsylvania including the Lehigh Valley where local garage rock heroes Original Sins hailed from. During the months of August and September of the same year, Catatonic Sun's reputation for wall of sound psych-grunge was really brought to life when the group teamed up with local record producer guru Matt Molchany of Shards Recording Studio to track their debut studio venture “Aphelion” (more an extended EP). Self -Released in the December, the album found an audience beyond the local music circuit of Pennsylvania, even reaching countries such as the U.K.,Germany and Japan. The band continued to play shows growing their fanbase and honing their skills as a cohesive unit resulting in radio airplay across the country and a feature on the compilation “Pedal Worship” by Bummer Recordings. During this same period, Matt Molchany once again helped the band carve their next album (a full length) “Saudade” along with mastering engineer Matt Poirier (War On Drugs), which was also self released, in February 2022. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThey played plenty more gigs, and ventured to the west coast for some shows in LA with local friends Laurel Canyon, one especially wild night was with both bands supporting Strawberry Alarm Clock at the Whiskey A Go Go. Now a three piece and into 2023 the band record the 7 original songs and one Original Sins cover for this new release.. Recorded early 2023 at Shards Recording Studio, Bethelem, PA with tracking and mixing once again by Matt Molchany. Mastered by Mikey Young. Agitated\/ Catatonic Suns intend to remaster\/ reissue Saudade on LP \/ CD formats in 2024, to coincide with debut UK shows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003eRIYL: Screaming Trees, Nirvana, The Verve (early), Loop, Slowdive, and Ride.\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e \u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XLY7IdNa9ck?si=IRvop5DJwLrT6gCo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e\u003cbr\u003e1 Deadzone\u003cbr\u003e2 Slack\u003cbr\u003e3 Failsafe\u003cbr\u003e4 Inside Out\u003cbr\u003e5 Sublunary\u003cbr\u003e6 Fell Off\u003cbr\u003e7 Be As One\u003cbr\u003e8 No Stranger\u003c\/p\u003e","brand":"Catatonic Suns","offers":[{"title":"Neon Orange Vinyl Edition","offer_id":46552085856572,"sku":"AGIT066LP","price":18.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":46552085889340,"sku":"AGIT066CD","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/catatonic-suns.jpg?v=1692715749"},{"product_id":"ill-peach-this-is-not-an-exit","title":"ill peach - This Is Not An Exit - LP\/CD","description":"\u003ch6 class=\"mt-4\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/f3nWutAzx2Q?si=zqODXmvHS5eF2mBw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/h6\u003e\n\u003cp class=\"text-600\"\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e1. BLOOM\u003cbr\u003e2. BLAH BLAH BLAH\u003cbr\u003e3. TORNADO WEATHER\u003cbr\u003e4. HUSH\u003cbr\u003e5. CAPILLARY BED\u003cbr\u003e6. 17\u003cbr\u003e7. SOFT (intermission)\u003cbr\u003e8. HEAD FULL OF HOLES\u003cbr\u003e9. SOUR LIKE LEMONADE\u003cbr\u003e10. THIS IS NOT AN EXIT\u003cbr\u003e11. COLLIDING\u003cbr\u003e12. HEAVYWEIGHT\u003cbr\u003e13. SIGH\u003cbr\u003e\u003c\/p\u003e\n\u003ch6 class=\"mt-4\"\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003e**First Pressing on Blue Curacao Coloured Vinyl**\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHere’s the thing about ill peach: this band exists because they are too weird to not exist. The seed of ill peach was first planted in the recording studios of New York City where Pat Morrissey and Jess Corazza were working together as professional songwriters, collaborating with artists like Icona Pop, SZA, Weezer, Pharrell, Big Freedia, and others. Then came the day they were offered their own publishing deal. Cool, right? Well, about that: “Everyone kept saying, ‘The stuff that you’re writing is slightly too left-of-center—weirdo stuff,” remembers Morrissey. “Why don’t you start your own project?” Thus ill peach, a pop band with a punk streak and a taste for both the rotten and the sweet, with an approach to making music that goes something like: “Do you want to pick up a guitar and do you want to be on this water jug and we’ll record it on the iPhone and create some weird drum pattern?” Following a series of well-received EPs on their own Pop Can Records (a record label and artist collective Morrissey and close collaborator Jesse Schuster run with friends), a digital single for Hardly Art’s 15th anniversary series, and some colorful music videos that crystallized the band’s visual aesthetic along with their sound, ill peach’s “weirdo stuff” comes to fruition on first full-length THIS IS NOT AN EXIT: a collection of anthemic songs built out of bright pop and gritty experimental elements (Morrissey names the sculptural use of distortion on the final albums by Low as an inspiration), punctuated with hooky choruses ready to be screamed along to in the safety of your own bedroom or with a bunch of friends at one of ill peach’s intense live shows. If ill peach first blossomed in New York, it took quarantine in Los Angeles for the project to ripen. The end of the world turned out to be what ill peach needed to get real with themselves. “It helped us creatively to zone in and removed us from the [industry] side of things to where we could just be like: this is our new identity, let's jump with both feet.” THIS IS NOT AN EXIT’s title is a reflection of something Corazza realized during a period of personal and familial crises. “I kept walking into buildings and I’d try to exit somewhere and the sign would be like, ‘This is not an exit,’” she says. “It just felt like a metaphor for a hopeful thing—don't give up yet.” This combination of hope and anxiety is all over THIS IS NOT AN EXIT, reflected in a sonic palette (Alternative! Electronica! Indie! Radio pop! Coldplay!) as eclectic as it is unpretentious. Ultimately, THIS IS NOT AN EXIT is a record about healing, a process often spoken about in New Age-y terms but one that in reality can be really confusing and, yes, weird. But it is the beautiful strangeness of being alive that ill peach capture so well on THIS IS NOT AN EXIT. \u003c\/span\u003e\u003c\/p\u003e","brand":"Ill Peach","offers":[{"title":"Blue Curacao Coloured Vinyl Edition","offer_id":46552119902524,"sku":"HAR171LP","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":46552120099132,"sku":"HAR171CD","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/ill-peach-this-is-not-an-exit.jpg?v=1692716134"},{"product_id":"albert-ayler-in-greenwich-village-lp","title":"Albert Ayler - In Greenwich Village","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003e1. For John Coltrane\u003cbr data-mce-fragment=\"1\"\u003e2. 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Vibrant in sound and vision, Albert Ayler’s In Greenwich Village is a landmark statement in free jazz and a career high-point for this truly original artist. \u003c\/span\u003e\u003c\/p\u003e","brand":"Albert Ayler","offers":[{"title":"LP","offer_id":46793659482428,"sku":"SV136LP","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/SV136_web_1024x1024_e217d539-10cf-40ea-8163-093df47374e7.webp?v=1694530089"},{"product_id":"gia-margaret-mia-gargaret-col-lp","title":"Gia Margaret - Mia Gargaret - Col. LP","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA1. Apathy\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA2. Body\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA3. 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Spare but immersive arrangements of synthesizer, piano \u0026amp; acoustic guitar simultaneously ache \u0026amp; soothe, building emotional landscapes that rise \u0026amp; recede like scenery through a train window. “Mia Gargaret” is a gorgeous experiment \u0026amp; a memorable meditation on the healing power of music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Gia Margaret","offers":[{"title":"'Pale Blue' LP","offer_id":46806460432700,"sku":"DR1024","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/dr1024.jpg?v=1694608125"},{"product_id":"highschool-forever-at-last-lp","title":"Highschool - Forever At Last - LP","description":"\u003cp\u003e\u003cstrong\u003e2026 VINYL REPRESS\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMelbourne’s HighSchool – the trio of Lilli Trobbiani, Luke Scott and Rory Trobbiani – are a new band worth taking notice of. 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Housed in a gaudy full color sleeve and pressed on kaleidoscopic tri-color vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Kid Congo","offers":[{"title":"7\" Single","offer_id":47904508379452,"sku":"itr382","price":12.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/getImage_27da4f5b-501e-492b-a338-43aa7add235b.jpg?v=1698751905"},{"product_id":"wand-golem","title":"Wand - Golem","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. The Unexplored Map\u003cbr data-mce-fragment=\"1\"\u003e2. Self Hypnosis in 3 Days\u003cbr data-mce-fragment=\"1\"\u003e3. Reaper Invert\u003cbr data-mce-fragment=\"1\"\u003e4. Melted Rope\u003cbr data-mce-fragment=\"1\"\u003e5. Cave In\u003cbr data-mce-fragment=\"1\"\u003e6. Flesh Tour\u003cbr data-mce-fragment=\"1\"\u003e7. Floating Head\u003cbr data-mce-fragment=\"1\"\u003e8. Planet Golem\u003cbr data-mce-fragment=\"1\"\u003e9. The Drift\u003c\/p\u003e\n\u003cp\u003eFollowing up their debut full-length on Ty Segall’s God? label, Wand presents their second album, Golem, on In The Red. Recording with Chris Woodhouse at his Hanger studio in Sacramento, Wand summons the dark and heavy power of the riff. Back in September 2013, Wand was quietly dismembered and ritually eaten in the hills near Dodger Stadium. Wand was reborn as “Wand”—an obese organ falsely organized as four overjoyous nerds. Four flesh balloons betting on a few aging amplifiers. Rumor has it they listen to Here Come the Warm Jets on loop all day and plot mail fraud. What’s more, they allegedely stole Dale Crover’s car and sacrificed it to the weather near the Los Angeles County Line. A few things, at least, are certain: Wand hears ghosts. Wand prefers serpents. The Sun is the mother of every fiction. All phenomena will be consumed in alphabetical order, but desire will recirculate ad infinitum. If all else fails, Wand will just devour more hands. Wand is coming your way soon.\u003c\/p\u003e\n\u003cp\u003e• Sophomore full-length from California four-piece with connections to Ty Segall, Chad and the Meatbodies, etc.\u003c\/p\u003e\n\u003cp\u003e• Debut album Ganglion Reef (God?) scored a 7.4 Pitchfork rating\u003c\/p\u003e\n\u003cp\u003e• Vinyl includes digital download card\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wand","offers":[{"title":"White LP","offer_id":47904615891260,"sku":"itr276x","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/a3253196560_10.jpg?v=1698753009"},{"product_id":"crack-cloud-crackin-up-live-in-london","title":"Crack Cloud - Crackin Up: Live in London","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. 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One could call Vitrio a jazz hybrid record, though once upon a time this music would have been called postmodern; an answer to pop's pre-packaged form, adopting maybe more classical structures to tell a story. In that, this record is reminiscent of Derek Jarman's \"1980s contemporaries, The Blue Nile, who made widescreen post-pop that ached with longing for resolutions that seemed to be just over the horizon. And for all the deconstructions, the deliberate raucousness of the sax and the rhythms of the percussion (like waves riding up a shingle beach outside Jarman's cottage), this is still a music that can thread a line back to classical opera whilst nodding along the way to the likes of Terry Riley, or bebop. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOver time, and by dint of working closely together, Fratti and Tosta have reached a state of grace that only comes rarely to artists. In this space they can do no wrong: the touch, the decision-making, the clarity of the instrumentation, the knowledge where to apply the emotional press, is nothing short of breathtaking. They need to remember these moments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_bHzRZvnb6Q?si=yi7K1AkGOtwbQA0f\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr\u003e1. Anonima\u003cbr\u003e2. Mister Popo\u003cbr\u003e3. Cielo Falso\u003cbr\u003e4. Hotel Elizabeth\u003cbr\u003e5. En Paralelo\u003cbr\u003e6. Te evite\u003cbr\u003e7. Palacio\u003cbr\u003e8. 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Siren Song\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCat No.: \u003c\/strong\u003eMERM01LP\u003cbr\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e November 3rd 2023\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNew Zealand indie trifecta Mermaidens, are set to make a resounding splash in the music scene yet again with the announcement of their fourth self-titled album and release of the project's first single ‘I like to be alone’. The trio, comprising of Gussie Larkin (guitar\/vocals), Lily West (bass\/vocals), and Abe Hollingsworth (drums), has been on an impressive journey of musical excellence, boasting three critically acclaimed albums, international tours, and a slew of accolades to their name. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith a sound that is both bold and adventurous, Mermaidens' music is a testament to their unwavering creativity and relentless work ethic. Their upcoming self-titled album, a product of the band's tireless efforts between 2019 - 2022, promises to be a captivating sonic journey, delving into themes of self-awareness, introspection, long-term love, and even channelling political anger and frustration. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded mainly at Surgery Studios in Wellington, with the engineering prowess of Lee Prebble and produced by Samuel Flynn-Scott of The Phoenix Foundation fame, the album also saw the band stepping up their production game with Gussie and Lily working their magic with Protools in their DIY home studios, showcasing their growth and versatility as artists. “Working with Sam has really been a round-trip in our creativity,” as Lily explains, “we grew up listening to Sam’s early records and here we are getting the inside scoop on how to make that kind of magic. Listening to Pegasus today still transports me to a time when I listened to music on a Walkman. 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Anenon is the ongoing solo studio and live project of Brian Allen Simon, whom since 2010 has released multiple albums and EPs to critical acclaim, including the highly revered ‘Tongue’ (2018) and ‘Petrol’ (2016). ‘Moons Melt Milk Light’ is direct, efficient, and unwavering in its immediacy. Anenon departs from the electronics of previous works, and embarks on a reductive, almost entirely acoustic approach consisting of piano, tenor saxophone, bass clarinet, and field recordings. All of the music was improvised with everything recorded as either a first or second take with no edits. Any layering happened fast and in the moment, and yet the sonic architecture of the whole feels both planned and refined. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrian also confronts the subject of personal loss and anguish with a deep sincerity as a solemn through-line pervades the album's 11 tracks. Notes are eloquently delivered with grace and the message is one of hope with a palpable human quality. Non-diegetic field recordings were taken in Maine (USA), London (UK), and the Auvergne (FR), and reveal evocative and personal interactions as heard in the album's centre points. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe production of ‘Moons Melt Milk Light’ began in the autumn of 2022, and was recorded at home in Silver Lake, Los Angeles, informed in part by an acoustic collaboration with the artist Susan Cianciolo during the vernissage of her 2022 Paris exhibition, RUN 14: FIELD of existence, as well as solo performances mostly at casual non-venues such as wine bars and inns around Europe that same year. It was the combination of these experiences that led Brian to pursue this immediate approach of improvised acoustic instrumentation. \"I feel a kinetic and messy honesty that doesn't exist in any of the other music I've ever made. 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Now, Los Campesinos!’s own indie imprint Heart Swells are delighted to release a newly mixed edition of its parent EP, Tear Jerky.\u003c\/p\u003e\n\u003cp\u003eMusically, you can trace the influence of Phil Elverum’s Microphones, of Magnolia Electric Co and Sufjan Stevens, and of Ys-era Joanna Newsom. From the beautifully lo-fi baroque-pop of ‘Glasgow Is A Punk Rock Town’ to ‘Send It To Oslo’s’ maximalist mix of analogue sounds, these ambitious yet intimate compositions prove the perfect foil for deeply autobiographical tales of heartbreak and recovery.\u003c\/p\u003e","brand":"Sparky Deathcap","offers":[{"title":"Ltd. 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Powerhouse drummer Idris Muhammad and soulful tenor star Houston Person were brought in to supplement Green’s current band featuring Ronnie Foster on organ and Clarence Thomas on Soprano and Tenor Sax and Blue Note producer Francis Wolff recorded.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis treasure was never released, though, and (conjectures aside) remained in the Blue Notes vaults for 35 years before a 2006 CD release. Sounding incredibly fresh and live, you’d be hard-pressed to find a more real stamping of Grant Green at the top of his game. The lp blends extremely hypnotic and wild funk such as their opening cover of a local funk hit “Jan Jan” by the Fabulous Counts next to laidback renditions of early 70’s soul favorites “Walk on By”, “Patches” and “One More Chance” by the Jackson 5. It perfectly captures the magic of hearing a legendary band effortlessly doing their thing in a small club while the audience unwinds after a long work day. Green pulls it all together with his melodic genius and perfect delivery. Great artists make it seem so easy. No pretensions here, just a great band burning up the stage with unmistakable chemistry on what might be the ultimate jazz funk time capsule. Maybe you can’t go back in time, but if you close your eyes and light a cigarette, you might be convinced you’re sitting in a wood-paneled club on Detroit’s Westside enjoying Grant Green and his band tear it up.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGrant Green - Guitar \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRonnie Foster - Organ \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIdris Muhammad - Drums \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eClarence Thomas - Soprano Sax, Tenor Sax \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHouston Person - Tenor Sax \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded live at Club Mozambique - Detroit, MI 1971 by Francis Wolff\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1. Jan Jan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Farid\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. 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Despite being a founding member of The Clean and The Chills, Gutteridge would eschew indie-rock fame for the hypnotic and driving sounds of his later bands such as Snapper. Fittingly, it is Pure—Gutteridge’s lone solo album of intimate home recordings—that serves as the most revealing and celebrated release of his career. As Peter Jefferies writes in the liner notes, “That’s what’s so good about Pure. Not only the songs, but the name, the name for the recording. It is as pure as you can get. That’s the real deal, when it goes from nothing to something and he catches it on his machine.” Originally released on cassette in 1989 on Xpressway, Pure documents Gutteridge’s stunning use of 4-track as instrument. Featuring lo-fi pop gems and interstitial sketches, the LP combines densely layered keyboards and guitars, distorted drum machines and possessed-sounding vocals to create a truly singular work of un-distilled artistic vision. 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Or Astro Man?","offers":[{"title":"Black 7\" Single","offer_id":48105747251516,"sku":"CHK7085","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/7085.jpg?v=1701883138"},{"product_id":"copy-of-man-or-astro-man-peel-session-1995","title":"Man... Or Astro-Man? - Peel Session 1995","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Put Your Finger In The Socket\u003cbr data-mce-fragment=\"1\"\u003e2. ________(Classified)\u003cbr data-mce-fragment=\"1\"\u003e3. Sferic Waves\u003cbr data-mce-fragment=\"1\"\u003e4. 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Continuing on his sonic journey, Chet’s sophomore album sees the humble artist honing his craft with some of his most melodic compositions, heartfelt storytelling and tasteful production yet. Harking back to 70’s classic rock, folk and psychedelia, Chet takes us through bygone eras and musical flavours conjured in the same universe as modern DIY artists such as Tex Crick, Traffik Island and Frank Maston. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiving between his family home in Kurnell, NSW (just south of Sydney) and with stints out in the Northern Territory where Chet works at an Indigenous Art Centre, the two lifestyles and surroundings are stark contrasts and evoke Chet Sounds’ musical ideas and lyrical subjects. As heard on his debut album, Chet’s songs are often themed around the coming-of-age and facing up to various struggles of life; this rings true again on his sophomore album, as Chet explains; \u003cem\u003e“the compositions express changes happening on a personal level both physical and mental. It also encompasses social and environmental change and how it affects an individual, getting through one day to the next.”\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eChet Sounds’ second album, Changes Happen To Everyone, Everywhere was recorded during 2021 in a shipping container on his family’s property. Similar to modern composers\/producers such as Frank Maston, Chet wrote, performed, recorded and mixed everything on the record, aside from two tracks where his friend, Amber Newel plays violin. The 12 track record continues some of the musical styles heard on his 2021 debut album but features a wider array of instrumentation and more complex arrangements, giving this album a 70s orchestral rock sound. Chet says; \u003cem\u003e“I deliberately tried to create an album that featured a stronger sonic cohesion than my previous as well as improving the quality of production and composition.”\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlending vintage coloured recording equipment with intricate melodies, genius arrangements and technical brilliance, Chet Sounds’ forthcoming new album Changes Happen To Everyone, Everywhere will win the hearts of any listeners who celebrate the outsiders and underground geniuses in today’s rock music. 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The record covers broad ground, from 70s imbued alt-country and catchy Beatles-era pop, through to emotive folk and soft rock. Coming-of-age themes run deep in the album, as Jack Kinder's lyrics touch on life changes, friendship, shitty jobs and of course, love. With Kinder's smooth vocals, clever arrangements and gorgeous vintage production, and Lewis Mosley’s unforgettable lead guitar, slide and keyboard performance, Hot Apple Band’s debut has the same charm of some of the best records from the early 1970s, radiating George Harrison, Crosby, Stills, Nash \u0026amp; Young, Harry Nilsson and Fanny in a similar style to modern counterparts such as Drugdealer, Weyes Blood, Daniel Romano and The Lemon Twigs. \u003c\/span\u003e\u003c\/p\u003e","brand":"Hot Apple Band","offers":[{"title":"EXCLUSIVE - Ltd. 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Like You\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Goner Records\u003cbr\u003e\u003cstrong\u003eCat No.:\u003c\/strong\u003e 46GONE\u003cbr\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e January 2022 (Repress. Original Release: 2009)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBurying '60s sing-alongs and dance crazes beneath waves of reverb and giddy thud, Ty Segall has carved out his own shelf in the San Francisco neo-psych garage alongside local compatriots and collaborators Sic Alps and Thee Oh Sees. After shattering the Bay Area underground as a frantic one-man band that was devoured by the local press, Segall has now given up the solo act for a three-piece group that destroys sonic and melodic boundaries with manic glee. This new live setup is a better reflection of his studio work. As an exploration of the space between Cro-Magnon fuzz and atmospheric acoustic psych, Lemons is the natural next step after his celebrated self-titled 2008 debut on Castle Face.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"text-600\"\u003e \u003c\/p\u003e","brand":"Ty Segall","offers":[{"title":"Black LP","offer_id":48111595913532,"sku":"46GONELP","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/46gone.jpg?v=1701965409"},{"product_id":"ty-segall-melted","title":"Ty Segall - Melted","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1.\u003cspan\u003e \u003c\/span\u003eFinger\u003cbr data-mce-fragment=\"1\"\u003e2.\u003cspan\u003e \u003c\/span\u003eCaesar\u003cbr data-mce-fragment=\"1\"\u003e3.\u003cspan\u003e \u003c\/span\u003eGirlfriend\u003cbr data-mce-fragment=\"1\"\u003e4.\u003cspan\u003e \u003c\/span\u003eSad Fuzz\u003cbr data-mce-fragment=\"1\"\u003e5.\u003cspan\u003e \u003c\/span\u003eMelted\u003cbr data-mce-fragment=\"1\"\u003e6.\u003cspan\u003e \u003c\/span\u003eMike D's Coke\u003cbr data-mce-fragment=\"1\"\u003e7.\u003cspan\u003e \u003c\/span\u003eImaginary Person\u003cbr data-mce-fragment=\"1\"\u003e8.\u003cspan\u003e \u003c\/span\u003eMy Sunshine\u003cbr data-mce-fragment=\"1\"\u003e9.\u003cspan\u003e \u003c\/span\u003eBees\u003cbr data-mce-fragment=\"1\"\u003e10.\u003cspan\u003e \u003c\/span\u003eMrs.\u003cbr data-mce-fragment=\"1\"\u003e11.\u003cspan\u003e \u003c\/span\u003eAlone\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Goner Records\u003cbr\u003e\u003cstrong\u003eCat No.:\u003c\/strong\u003e 58GONE\u003cbr\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e November\u003cspan\u003e \u003c\/span\u003e2019 (Repress. Original Release: 2010)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThird solo album from San Francisco garage psych wunderkind\u003c\/li\u003e\n\u003cli\u003eTouchpoints: Safe as Milk \/ Clear Spot-era Beefheart, T. Rex\u003c\/li\u003e\n\u003cli\u003eblurry sweet junk-food highs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cspan\u003eSan Francisco psych wunderkind Ty Segall continues a tireless musical assault on ears and minds with his third album, Melted. Segall says it sounds like \"cherry cola, Sno-Cones and taffy.\" Indeed! Over the past two years he's released records more often than most people do laundry, but somehow there is still a heap of anticipation for this new album on Goner packed full of truly psychedelic pop songs with great vocals and exciting arrangements. On the heels of two critically acclaimed solo albums, Segall holed up in a basement studio with Mike Donovan of the Sic Alps in late 2009 and early 2010 to come up with Melted. It's a carefree yet precise balance of acoustic and electric elements. Distorted echo and thunder mix together with enough clean guitar lines and addictive choruses to deliver an album that recalls the '60s without sounding like anything created during that decade. Time melts away, vision melts away, minds melt away. Get Melted!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Ty Segall's short, sharp songs peal out of the garage without raising the doors, sending 1960s rock riffs crashing through splintered, smart-ass lo-fi buzz.\"\u003c\/em\u003e -Pitchfork\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Warped sonics do nothing to diminish the impact of his vigorously nostalgic riff and stomp. Segall thunders along with the timeless, impudently rowdy energy of a cement basement dance-off.\"\u003c\/em\u003e -SPIN, \u003c\/span\u003e\u003c\/p\u003e","brand":"Ty Segall","offers":[{"title":"Black LP","offer_id":48111753593148,"sku":"58GONELP","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/a0088808867_10.jpg?v=1701966317"},{"product_id":"thinking-fellers-local-union-282","title":"Thinking Fellers Union Local 282 - These Things Remain Unassigned","description":"\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. 2x4's \u003cbr\u003e2. Every Day\u003cbr data-mce-fragment=\"1\"\u003e3. Strange Mail\u003cbr data-mce-fragment=\"1\"\u003e4. Blank Eyed Devil\u003cbr data-mce-fragment=\"1\"\u003e5. The Electrocutioner \u003cbr\u003e6. Horrible Hour\u003cbr data-mce-fragment=\"1\"\u003e7. Selections From 'A Fistful Of Dollars'\u003cbr data-mce-fragment=\"1\"\u003e8. The Kids Are In The Mud\u003cbr data-mce-fragment=\"1\"\u003e9. Wally And The Ghost\u003cbr data-mce-fragment=\"1\"\u003e10. San Remo \u003cbr\u003e11. Ed Sullivan\u003cbr data-mce-fragment=\"1\"\u003e12. Entoloma \u003cbr\u003e13. Electric Chair\u003cbr data-mce-fragment=\"1\"\u003e14. Flames Up Yours\u003cbr data-mce-fragment=\"1\"\u003e15. Outhouse Of The Pryeeeeeee\u003cbr data-mce-fragment=\"1\"\u003e16. Selections From 'Rosemary's Baby'\u003cbr data-mce-fragment=\"1\"\u003e17. Sponge Dilrod \u003cbr\u003e18. Shiny Pig\u003cbr data-mce-fragment=\"1\"\u003e19. Who Are Parents \u003cbr\u003e20. Broken Bones\u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003eLabel:\u003c\/strong\u003e Bulbous Monocle\u003cbr\u003e\u003cstrong\u003eCat No.:\u003c\/strong\u003e BM-03\u003cbr\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 8th December 2023\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eCompilation of experimental indie rock \u003c\/span\u003e\u003cspan\u003eband's singles, compilation tracks, and\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003enever before released gems from their \u003c\/span\u003e\u003cspan\u003eentire career (1986-2001)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDouble LP, Gatefold Sleeve\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e12 Page Booklet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eBulbous Monocle focuses its lens further into the legacy and archives of the Thinking Fellers Union Local 282. \u003cem\u003eThese Things Remain Unassigned\u003c\/em\u003e—a phrase coined by Brian Hageman, one of the band’s musical snake appendages emanating from its Medusa crown—is presented as a double LP (gatefold jacket with a twelve page libretto). It gathers together the band’s singles, compilation tracks, outtakes and never before released gems encompassing the arc of TFUL’s musical corpus. Every track has been surgically remastered by Mark Gergis (Porest \/ Sublime Frequencies \/ Mono Pause) with his signature craftsman approach. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis collection is an auditory and visual feast. The extensive booklet included features band ephemera, concert flyers, photographs, and commentary about each track from Mark Davies. Beyond the rare singles and unreleased tracks from the TFUL archives, are cover versions from such disparate artists and composers as Ennio Morricone, Krzysztof Komeda, The Residents, The Shaggs, Caroliner Rainbow and Pérez Prado. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“…In addition to these compilation one-offs, there were also a few studio recordings that were never quite completed or released. Throw in an alternate mix or two and the handful of singles that came out on various labels over the years, and you end up with what I feel works well as its own body of work, a bunch of adopted oddballs that somehow fit together as a family. I hope youʼll agree with me that these things are now no longer unassigned, but part of a somewhat cohesive whole, stitched together into something mysterious and glistening.”\u003c\/em\u003e —Mark Davies (2023) \u003c\/span\u003e\u003c\/p\u003e","brand":"Thinking Fellers Union Local 282","offers":[{"title":"Black LP","offer_id":48111822733628,"sku":"bm-03lp","price":48.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/5941\/files\/getImage_de17929d-d05c-4d3b-8bc3-d2e45691286a.jpg?v=1701967229"},{"product_id":"flux-gourmet-original-motion-soundtrack-2lp-colour-vinyl","title":"Flux Gourmet - Original Motion Picture Soundtrack - 2LP","description":"\u003cp data-mce-fragment=\"1\" class=\"text-600\"\u003eSoundtrack to 2022’s paeon to cuisine prep, Flux Gourmet. A vibrant, four-coursed, 23-track double album, Flux Gourmet includes contributions by Heather Trost, Jeremy Barnes, Marta Salogni, Cavern of Anti-Matter, and Roj (Broadcast), as well as Strickland’s own compositions as part of The Sonic Catering Band. British Director and sonic pioneer, Peter Strickland, known for The Duke of Burgundy (2014), Berberian Sound Studio (2012) and Björk: Biophilia Live (2014), has always pushed visuals and narrative to absurd heights. In Flux Gourmet, performance artists taking part in a residency dedicated to sonic catering combining cooking, sound and theater. Food is amplified, microphones are jammed against blenders, and the sizzling sound of the frier turns becomes an ominous rattle. The film’s soundtrack is equally as process oriented, experimental, and kaleidoscopic as its protagonists’ practice. Contributors are Cavern of Anti-Matter, Jeremy Barnes, Heather Trost, Roj (formerly of Broadcast), Tim Harrison, Dan Hayhurst and Nurse With Wound. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"text-600\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oHraElR_v60?si=nQg1oLU6vhJL3QYk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"text-600\"\u003eTracklist:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"text-600\"\u003eSide A:\u003cbr data-mce-fragment=\"1\"\u003eA1. Heather Trost - Early Gardens\u003cbr data-mce-fragment=\"1\"\u003eA2. Roj - Trip to the Shops\u003cbr data-mce-fragment=\"1\"\u003eA3. 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